OB-Xd is a classic synthesizer with a timeless sound that continues to captivate musicians and producers alike. With its rich, full-bodied tones and expansive sound design capabilities, the OB-Xd is the perfect choice for those looking to add a vintage touch to their music. Whether you’re producing electronic tracks, recording live…
Happy TB-303 Appreciation Day! Abstract 303 is a collection of 100 303-style loops, recorded dry without any effects using a hardware TB-303 clone. All loops have been recorded at 120 bpm. The pack is heavily inspired by classic minimal techno artist Plastikman early releases. All loops are tempo and key-labeled….
Professional Open-Source Metronome TICK is a self-contained metronome. It runs almost anywhere. It runs as a plug-in, it runs on your phone. Everything is self-contained so your metronome sounds (and your bpm/time-signature) can go wherever you go. Features: Professional TICK has been used on stage for a while now. It…
Transform your sound with Slicer Dicer! This intuitive plugin lets you create dynamic chop and slice effects effortlessly. With a single, BPM-synced ‚Time‘ knob, you can instantly achieve precise, rhythmic chopping effects that blend seamlessly with your DAW. Software Requirements: Windows (64-bit only): VST3, AAX macOS (64-bit only): AU, VST3,…
Includes 14 up-to-date plugins: Pitchmunk Pitch Shifter, Fat Cat Saturation, Fire Boy Bass Enhancer, Time Turtle Delay, Wider Tiger Stereo Enhancer, Pixel Rabbit Bitcrusher, Vox Tune Auto Pitch, Rainbow Bird EQ, Monster Crab Clipper, Aurora Air Enhancer, Drift Pitch Vibrato Effect, Angelic Analog Chorus, Vowel Changer Formant Filter, Slicer Dicer….
A semi-modular software synthesizer and fx plugin. It’s basically InfernalSynth’s big brother. Features: Theming support. Global unison Stereo spread + voice detune. LFO and oscillator phase offset. LFO and envelope „detuning“. 5 oscillators Noise generator. Karplus-strong generator with 2 modes. Sine + bandlimited saw / triangle / square + pwm….
A happy fiddle noodling in the key of D For years I’ve been dragging my feet trying to capture the idea of sampling “performances,” deconstructing them, reconstructing them, and then making them playable. Some of my earlier submissions touch on this idea. Well, now that it seems the sampling industry…
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