Interleaving Equalizer using Biquads in Rust Interleaf was inspired by the Airwindows design of interleaving signals together, and I combined that with my own reimplementation of the RBJ Biquads to create an EQ with up to 10 interleaves per band. Filter Types Low Pass High Pass Band Pass Notch Peaking…
Saturation that follows your signal – beef up your groove by adding juice to the low-level details or amplify your dynamics by making your transients explode… or anything in between. -4 different saturation curves, -a powerfully clean clipper (courtesy of AirWindows) -optional mid/side processing -pre-clip boost so you can crank…
All nearly-400 Airwindows plugins For many years, I’ve built up a library of DSP effects, executed in a stripped-down, retro-friendly format that is impossibly light and efficient compared to how plugins usually are. It’s also completely overwhelming at nearly 400 plugins all with their own names (or iterations like Channel6,…
All nearly-400 Airwindows plugins For many years, I’ve built up a library of DSP effects, executed in a stripped-down, retro-friendly format that is impossibly light and efficient compared to how plugins usually are. It’s also completely overwhelming at nearly 400 plugins all with their own names (or iterations like Channel6,…
Variation of airwindows VariMu Compressor, In VST3 What it is for: nice vocal compressor. After searching a bunch of other airwindows compressors, VariMu was suitable for attack time tweaking. muMakeupgain is bypassed, and replaced output trim to Gain. By multipling muAttack by 5, we can get attack time of 5ms…
Over 2021, after the succesful release of Surge 1.9, the Surge Synth team undertook an effort to rebuild Surge in JUCE and add a variety of features. This project resulted in the new version of Surge, called ‚Surge XT‘. SYNTH SPECIFICATIONS GENERAL Synthesis method: Subtractive hybrid Each patch contain two…
First, the Swiss Army Knife reverb! (a more cooperative one is to follow) This is the result of some deep diving into Householder reverb algorithms (a way of taking four delay lines and turning them into infinite reverb). It’s different from anything I’ve done before, reverb-wise: extremely flexible, and incorporating…
