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Vangelis, composer of Chariots of Fire and Blade Runner soundtracks, dies aged 79

Vangelis pictured in 1976.

Vangelis, the Greek composer and musician whose synth-driven work brought huge drama to film soundtracks including Blade Runner and Chariots of Fire, has died aged 79. His representatives said he died in hospital in France where he was being treated.

Born Evángelos Odysséas Papathanassíou in 1943, Vangelis won an Oscar for his 1981 Chariots of Fire soundtrack. Its uplifting piano motif became world-renowned, and reached No 1 in the US charts, as did the accompanying soundtrack album.

Mostly self-taught in music, Vangelis grew up in Athens and formed his first band in 1963, called the Forminx, playing the pop music of the time: uptempo rock’n’roll, sweeping ballads and Beatles cover versions, with Vangelis supplying organ lines.

They split in 1966, and Vangelis became a writer and producer for hire, working for other musicians and contributing scores for Greek films. Two years later, he struck out for Paris to further his career, where he formed the prog rock quartet Aphrodite’s Child with Greek expats, including Demis Roussos. Their single Rain and Tears was a hit across Europe, topping the French, Belgian and Italian charts and reaching the UK Top 30

Vangelis at his home in London, 1982.

After they split – Vangelis deeming the world of commercial pop “very boring” – he returned to scoring film and TV. Turning down an invitation to replace Rick Wakeman on keyboards in Yes, he moved to London and signed a solo deal with RCA Records: his LPs Heaven and Hell (1975) and Albedo 0.39 (1976) each reached the UK Top 40, and the former was used to soundtrack Carl Sagan’s popular TV series Cosmos. The connection with Yes was finally completed later in the decade, when he teamed with the band’s Jon Anderson for the duo Jon and Vangelis, whose debut album went Top 5.

Vangelis had continued his film score work throughout the 1970s, but it was in the 80s that this reached its commercial heights. Chariots of Fire became inextricable from Vangelis’s timeless theme, and the music became synonymous with slow-motion sporting montages. “My music does not try to evoke emotions like joy, love, or pain from the audience. It just goes with the image, because I work in the moment,” he later explained.

His score to Blade Runner is equally celebrated for its evocation of a sinister future version of Los Angeles, where “replicants” and humans live awkwardly alongside one another, through the use of long, malevolent synth notes; saxophones and lush ambient passages enhance the film’s romantic and poignant moments. “It has turned out to be a very prophetic film – we’re living in a kind of Blade Runner world now,” he said in 2005.

Later in the decade he scored the Palme d’Or-winning Costa-Gavras political drama Missing, starring Jack Lemmon; the Mel Gibson and Anthony Hopkins drama The Bounty, and the Mickey Rourke-starring Francesco. He worked again with the Blade Runner director, Ridley Scott, on 1992 film 1492: Conquest of Paradise, and elsewhere during the 90s, soundtracked Roman Polanski’s Bitter Moon and documentaries by Jacques Cousteau.

https://www.theguardian.com/music/2022/may/19/vangelis-greek-composer-chariots-of-fire-blade-runner-dies?fbclid=IwAR1bdF9htSpJ4_7z09axoTqd7wYrpaqylr2FVJsYIe0zTXnlFH1jnNWMQnU

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Pink Floyd – Hey Hey Rise Up (feat. Andriy Khlyvnyuk of Boombox)

Here is the official video for ‚Hey Hey Rise Up‘, Pink Floyd’s new Ukraine fundraiser feat Andriy Khlyvnyuk of Boombox. Stream / download at http://pinkfloyd.lnk.to/HeyHeyRiseUp

‚Hey Hey Rise Up‘, released in support of the people of Ukraine, sees David Gilmour and Nick Mason joined by long time Pink Floyd bass player Guy Pratt and Nitin Sawhney on keyboards, all accompanying an extraordinary vocal by Andriy Khlyvnyuk of Ukrainian band Boombox. All proceeds go to Ukrainian Humanitarian Relief.

This is the first new original music that they have recorded together as a band since 1994’s The Division Bell.

The track uses Andriy’s vocals taken from his Instagram post of him in Kyiv’s Sofiyskaya Square singing ‘The Red Viburnum In The Meadow’, a rousing Ukrainian protest song written during the first world war. The title of the Pink Floyd track is taken from the last line of the song which translates as ‘Hey, hey, rise up and rejoice’. The song’s opening choral parts are by Ukrainian VERYOVKA Folk Song and Dance Ensemble.

Gilmour, who has a Ukrainian daughter-in-law and grandchildren says: “We, like so many, have been feeling the fury and the frustration of this vile act of an independent, peaceful democratic country being invaded and having its people murdered by one of the world’s major powers”.

Gilmour explains how he came to know Andriy and his band Boombox. “In 2015, I played a show at Koko in London in support of the Belarus Free Theatre, whose members have been imprisoned. Pussy Riot and the Ukrainian band, Boombox, were also on the bill. They were supposed to do their own set, but their singer Andriy had visa problems, so the rest of the band backed me for my set – we played Wish You Were Here for Andriy that night. Recently I read that Andriy had left his American tour with Boombox, had gone back to Ukraine, and joined up with the Territorial Defense. Then I saw this incredible video on Instagram, where he stands in a square in Kyiv with this beautiful gold-domed church and sings in the silence of a city with no traffic or background noise because of the war. It was a powerful moment that made me want to put it to music.”

While writing the music for the track, David managed to speak with Andriy from his hospital bed in Kyiv where he was recovering from a mortar shrapnel injury. “I played him a little bit of the song down the phone line and he gave me his blessing. We both hope to do something together in person in the future.”

Speaking about the track Gilmour says, “I hope it will receive wide support and publicity. We want to raise funds for humanitarian charities, and raise morale. We want express our support for Ukraine and in that way, show that most of the world thinks that it is totally wrong for a superpower to invade the independent democratic country that Ukraine has become.”

The video for ‘Hey Hey Rise Up’ was filmed by acclaimed director Mat Whitecross and shot on the same day as the track was recorded. David Gilmour “We recorded the track and video in our barn where we did all our Von Trapped Family live streams during lockdown. It’s the same room that we did the ‚Barn Jams‘ with Rick Wright back in 2007. Janina Pedan made the set in a day and we had Andriy singing on the screen while we played, so the four of us had a vocalist, albeit not one who was physically present with us.”

The artwork for the track features a painting of the national flower of Ukraine, the sunflower, by the Cuban artist, Yosan Leon. The cover of the single is a direct reference to the woman who was seen around the world giving sunflower seeds to Russian soldiers and telling them to carry them in their pockets so that when they die, sunflowers will grow.

LYRICS
Oyu luzi chervona kalyna pokhylylasya,
Chohos‘ nasha slavna Ukrayina zazhurylasya.
A my tuyu chervonu kalynu pidiymemo,
A my nashu slavnu Ukrayinu, hey-hey, rozveselymo!

O S I B I S A 1971 Full HQ

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