The MusicScope is a high precision software audio analyzer and measuring tool that works as an Audio-Microscope to visualize the different quality aspects of a music collection. The implementation of international audio standards (EBU R128 and ITU-R BS-1770) allows a full comparability to professional studio software but with the advantage…
AASamplePlayer turns any sound file into a playable instrument suuuuuper efficiently and universally, just load it up with your favorite DAW and have fun~ — Michael from GAS Therapy (GAS Therapy is a video series I made on YouTube, focusing on sharing cheaper and better musical gears solutions, now it…
Easily add the warmth and character of analog tape to your tracks with a faithful plugin emulation of Apogee’s legendary Soft Limit™ Soft Limit tape emulation – The secret Ingredient in Apogee Converters Soft Limit has been an integral feature of Apogee converters since the AD-500, our first standalone A-D…
This „very basic“ polyphonic (24 voice) additive synth „with a slight oldschool 90’s visual touch“ is a personal project. It produces sounds based on mostly naive waveforms using standard toolbox FlowStone oscillators. In different combinations and configurations. No analog emulation, no special unison, no stereo FX, no delays nor reverb…
A subtractive dual-oscillating software synthesizer written in C++. GreenWave is flexible modern software synthesizer with classic roots. The goal is to build a tool for crafting organic and otherworldly sounds with a simple and minimal interface. Features: • Standalone or VST3 • Fully Portable (no installer and you can put…
Carla is a fully-featured modular audio plugin host, with support for many audio drivers and plugin formats. It has some nice features like transport control, automation of parameters via MIDI CC and remote control over OSC. Carla currently supports LADSPA (including LRDF), DSSI, LV2, VST2, VST3 and AU plugin…
Automatic audio mastering plugin for live-streaming, podcasting and internet radio stations. Introduction With the first Covid-19 related lock-downs in 2020, many real-life concerts, conferences and festivals were forced into the digital domain – and sounded pretty crappy. Having worked for almost 20 years in audio mastering, Berlin based engineer Klaus…
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