ZebraCM: Baby zebra ZebraCM is a stripped-down version of Zebra2 with a selection of modules organised in a simple layout. Though smaller, ZebraCM is still an adept synthesizer with enough features to keep you busy before stepping up to the full experience of Zebra2. Please note: ZebraCM was commissioned by…
Podolski Created in 2005 and still going strong. Podolski is a free, straightforward, CPU-efficient virtual analogue synthesizer. One oscillator, one filter, one envelope and an arpeggiator / sequencer. Simple, but with a few tricks up its sleeve. Create high quality sounds with ease. • Oscillator with variable symmetry (sawtooth to…
Zebralette: easy spectral synth Zebralette is our version of a Trojan horse. A free synthesizer and an introduction to Zebra2’s fantastic oscillators. Perhaps it will persuade you to try Zebra2 and upgrade. If one oscillator is this powerful, imagine what you can achieve with four… and all the other great…
Triple Cheese, winner of the 2006 KVR Developer Challenge, is a truly unique freeware synthesizer. No traditional oscillators or wavetables, no FM or phase distortion and no analogue modelled filters here. A touch unusual and a little cheesy, Triple Cheese is quite capable of some surprising sounds. 3 comb filters…
Xenharmonic FMTS 2 is a 4 Operator FM Synthesis VSTi with a specialized set of features for computer musicians interested in exploring the vast expressive possibilities of making music with alternative intonation systems. It is a 32-bit plugin instrument for Windows. Microtuning Features Internally loads and externally receives both…
Dead Duck Reducktion is a 32-voice polyphonic software synthesizer for use in audio hosts that support the VST 2.4 plugin format. It available for Windows operating systems in both 32-bit and 64-bit versions. Features Three multi-mode oscillators: Wave: continuously variable between saw, square, triangle and sine waveforms. Pulse: pulse wave with…
The Quilcom Mystery synthesiser was designed to explore a specific type of technique whereby an additive synth (with sub) can have the amplitude of each partial modulated by its own independent polyphonic LFO. Many settings can be randomised manually or via a trigger generator, and there are two identical sound…
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