MAJESTIC PIPE ORGAN A grand pipe organ, recorded in a spacious Georgian church, featuring a curated collection of stop combinations. With three microphone positions, this library showcases the organ’s full range, from soft, reedy tones to full-on majestic power. Recorded in St Paul’s Hall, Huddersfield, a repurposed church built in…
Orpheus II is a vintage Polyphonic Ensemble analog synthesizer. 2 ensembles. 128 voices polyphonic. Unison. Drift. Auto Bend. Mono mode with portamento. Vibrato. Formants. 3 bands resonators. Chorus. Delay. Phaser. Reverb. Auto-Pan. Tremolo. Mod Matrix. Embedded patch management. No longer available Orpheus-II
GR-8 is an 8 voices virtual analog synthesizer with built-in effects and an arpeggiator. Features: Arpeggiator: 5 Modes (Up, Down, Alt 1, Alt 2, Random), 4 Octaves Range. Voice Modes: Mono, Unison (8 voices), Chord (4 stereo notes), Poly (8 voices). Voice Effects: Glide, Legato, Voice Detune, Voice Stereo Spread. Oscillators:…
TX16Wx Software Sampler is a plug-in for the creative musician, inspired and modeled after the best hardware samplers with all the ease and new exiting features of modern software. Extensive sound shaping Two resonant 6/12/24dB multimode filters AHDR/AHDSR envelope Pristine sound quality playback engine with high quality playback/mixdown modes All…
YS – Reverb Audio reverb plugin Plugin in the version – Two Mono, each channel can be configured individually, which expands the possibilities of creating the best sound. The plugin has simple and clear settings but has everything you need. Equalizer shelves „Shelf“ high and low, damping, saturation of harmonics…
Thump One is an easy to use music synthesiser plugin with a fun glitchy ‚wavetable‘ engine and a bank of flexible multi-segment envelopes to shape the sound in any direction you desire. Perfect for powerful kick drums, huge club basses and soaring leads. The synthesiser features two powerful engines that can…
Real saturation. Just Bury It! Burier’s musical saturation stage is followed by a pair of resonant low- and high-cut filters for optimal tonal shaping. The filters have a 12 dB per octave slope and are IIR (Infinite Impulse Responses) featuring a TPT (topology-preserving transform) structure. Their behavior is based on…
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