Full Bucket Music The blooo v2.3.2 x64 x86 VSTi VSTi3 CLAP AU WiN MAC [FREE]

The blooo is a software instrument for Microsoft Windows (VST2/VST3/CLAP) and Apple macOS (VST2/VST3/AU/CLAP) based on the classic subtractive synthesis architecture. It is written in native C++ code for high performance even on „lighter“ systems. Main features are: Up to 64 voices polyphony including Unison mode and portamento Two band-limited…

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Full Bucket Music The Deputy Mark II v1.3.1 x64 x86 VSTi VSTi3 AU CLAP WiN MAC [FREE]

The Deputy Mark II is a software instrument for Microsoft Windows (VST2/VST3/CLAP) and Apple macOS (VST2/VST3/CLAP/AU) in the tradition of classic string machines and early „polyphonic“ synthesizers, written in native C++ code for high performance. The main features are: Polyphonic string/synthesizer (Poly) section and monophonic synthesizer (Mono) section Built-in Ensemble…

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Recluse Audio Reflections v18.07.23 Windows macOS VST3 AU [FREE]

Simple, Easy, Sturdy, and low cost in processing power. Reflections is a powerhouse reverb/delay plugin that is designed to create swirling tails of hybrid digital signal processing. Consisting of a delay and a reverb module, Reflections allows the user to send audio between these modules. This creates a feedback loop…

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Full Bucket Music Nabla v1.3.1 x64 x86 VSTi VSTi3 AU WiN MAC [FREE]

The Nabla is a software instrument for Microsoft Windows (VST2/VST3/CLAP) and Apple macOS (VST2/VST3/AU/CLAP) simulating the KORG Delta DL-50 Strings Synthesizer from 1979. Is is written in native C++ code for high performance and low CPU consumption. The main features are: Paraphonic Synthesizer and Strings sections Up to 64 voices…

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Press Play Wave Breaker v1.0.0 x64 x86 VST VST3 AU WiN MAC [FREE]

  Wave Breaker is a true-peak stereo limiter designed to provide high levels of transparency and instant visual feedback for a seamless workflow. It uses the design concepts and waveform display engine from Wave Observer to create a mixing and mastering tool for audio professionals and enthusiasts alike. Main Features…

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d-lusion RubberDuck H3O+ v2.12 EXE WiN [FREE]

With this bass synthesizer released for Windows 95 in 1996 (way before Propellerheads Rebirth, was available), d-lusion pioneered the market of realtime software synthesizers on standard processors. Roughly based on the the well known TB-303, Rubberduck’s synthesis model consists of an oscillator wave with a resonant filter sweep applied to…

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AMOTA Filter by Fugue State Audio[Reaktor, Free]

Reaktor effect AMOTA is a filter/distortion/mangler effect based mostly on amplitude modulation and analog-style filters. It is essentially the filter and most of the modulation sections from Noisebot RKV (https://www.native-instruments.com/en/reaktor-community/reaktor-user-library/entry/show/14133/) as an effect processor with a couple extra toys. The input is sent first through an amplitude modulator (AmpMod) with…

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Chowdhurry DSP ChowMatrix v1.3.0 x64 x86 VST VST3 AU AAX LV2 STANDALONE WiN MAC LiNUX [FREE]

Chow Matrix is an infinitely growable delay effect, with complex internal modulation and feedback. With extra features including pitch-shifting, diffusion, and distortion, the plugin can be used to create everything from subtle multi-tap delays to expansive reverberant spaces. https://chowdsp.com/products.html#matrix

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Oatmeal by Fuzzpilz[Windows,VSTI,x86] FREE

Oatmeal is a 2 oscillator subtractive synth. Two oscillators: Waveform, Amp, Tpitch [aftertouch – pitch], Pulsewidth, PWM rate, PWM depth, Trans [transpose], Detune, Touch [aftertouch – osc amp]. Noise [white or bandpassed]: Amp, Touch, Resonance, Transpose. Filter: Filter type, Double [filter doubling], Cutoff, Track [keytracking], Reso [resonance], Split, Mix, Touch [aftertouch…

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nakst Fluctus FM Synth v1.1.1 x64 x86 CLAP AU FL STUDiO STANDALONE WiN MAC LiNUX [FREE]

The ultra simple 3-operator FM synthesizer. Key Features Completely free. No copy protection, DRM or mailing list signups. 3 operators each with variable brightness control, arranged in a loop: Op 3 modulates Op 2, Op 2 modulates Op 1, and Op 1 modulates Op 3. There’s some really interesting sounds…

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