Shapey! is an open source, experimental synthesiser with a unusal approach to wavetable synthesis. Its primary sound generator is a single „complex“ wavetable oscillator with three sections. While it borrows terminology from FM synthesis, its architecture is quite different. The modulator controls the pitch and, to a certain extent, timing…
Zebralette: easy spectral synth Zebralette is our version of a Trojan horse. A free synthesizer and an introduction to Zebra2’s fantastic oscillators. Perhaps it will persuade you to try Zebra2 and upgrade. If one oscillator is this powerful, imagine what you can achieve with four… and all the other great…
Lush stereo chorus and phaser inspired by the Electro-Harmonix Small Stone EH4800 and Stereo Electric Mistress pedals The Stone Mistress consists of a Phaser and a Chorus unit in chain, modulated by a single LFO generator. Controls Rate: Controls the rate of the LFO signal that modulates the speed at…
BLEND BETWEEN REAL AND ANALOG STRINGS Stratum is a new and modern kind of string instrument that seamlessly blends the worlds of organic and synthetic sound creation, offering a revolutionary sonic experience. With a single slider, you can effortlessly blend a lush, symphonic string sound with the raw beauty of…
Codec is for sound destruction. Unlike other plugins that simulate degradation in “old school” ways like vinyl, tape or cassette, Codec degrades sound in the most common way we hear today, through internet compression algorithms! Codec is essentially a container that holds an audio compressor (not that kind of compressor)…
Explosive hits that will have you shouting “oh shi-”:) An essential addition to any composer’s arsenal, Orchestral Hit System: High Intensity Transients (OHS: HIT) will quickly become what you reach for every time you need something truly epic. This powerful new tool lets you control every component of your ideal…
Meet the Deathcore Soundboard by Joey Sturgis Tones & Drumforge – your new go-to for crushing vocal parts without the usual hassle, drama, or scheduling nightmares. Why We Built It Recording real vocalists can be a grind. You’ve got scheduling conflicts, unpredictable attitudes, and endless debates over how a proper “BLEGH”…
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