Bundle music-society specialpack by de la Mancha

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music-society specialpack by de la Mancha

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basic 64



basic 64 is inspired by the 8 bit sounds of the classic Commodore 64.

It’s not a straight emulation, but is based around the SID chip with some extras for that 8-bit retro game sound, lofi gritty noises or just plain oddness.

    16, 8 or 6 bit sound quality.
    3 oscs, each with their own ADSR envelope.
    Oscillators can be sync’d and ring modulated by each other.
    Pitch envelope modulation.
    Pitch wobble option, for subtle instability.
    2 tempo-sync LFO’s to modulate pitch, cut-off and pulse width.
    LFO’s have attack/release curves.
    Tempo-sync arpegiator.
    Flexible routing to state variable filter (LP, HP & BP).
    Envelopes can be reset or continuous at retrigger.
    Monophonic or polyphonic option.
    Midi learn / midi CC support.
    128 presets by sinkmusic & WhiskeyPriest.


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basic 65



basic 65 is a monophonic synth, inspired by the classic 80s home computer, the Commodore 64 and its legendary SID chip. Building on the waveforms and signal path of this famous chip, basic 65 adds further features and options to take things a step further.

The double arpeggiator allows complex versions of that retro 8-bit game sound and the modulation options inspire experimentation via the mod envelope and 2 comprehensive LFOs. Pulse width modulation, ring modulation and oscillator detune/sync are key ingredients in the signature sound. Throw in some pitch drift, bit drift, a sprinkle of dirt and randomisation and you have a wide range of lofi, chiptune, retro-tastic sounds at your disposal.

This version is the update to the popular basic 64, redesigned from scratch, with many improvements, new features and all new presets. basic 65 was co-developed with sink, who also made the amazing presets.

    Monophonic synth in VST format for Windows based hosts.
    3 oscillators with pulse, saw, triangle and noise waveforms.
    Pulse width can be modulated by envelope or both LFOs.
    Each oscillator can be sync’d to another and/or ring modulated by another.
    Each oscillator has its own ADSR envelope and can be routed to filter individually.
    Resonant filter with low pass, high pass, band pass and notch modes.
    2 tempo-sync Arpeggiators in series for complex arp sounds.
    Arp tempo, range and note length can be adjusted.
    Modulation envelope can control pulse width and pitch of individual oscillators as well as filter and dirt.
    2 tempo-sync LFOs with wide range of waveforms, including random.
    Both LFOs can control pulse width and pitch of individual oscillators.
    One LFO also controls filter and dirt, the other can modulate the depth and speed of the first LFO.
    Envelopes are non-linear and can be retriggered from zero or smoothed on each new note.
    Pitch drift models instability with variable depth and frequency.
    Options for 4, 6, 8, 12 or 16 bit audio with randomising feature.
    Developed with SE 1.1, so no problems with multiple instances.
    128 presets by sink covering arps, leads, bass, drums and lofi sounds.
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bent



bent is a circuit-bent resynthesis effect.

It will recreate the incoming audio into an approximation of itself using a waveform-morphing audio oscillator. Depending on the volume and pitch of the audio, it will gate, stutter and morph the output in sync with your host tempo
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boost



boost is a dual-band parallel compression effect that enhances your audio by boosting the lows and highs whilst still letting some of the original signal through to get a nice blend.

Increase the gain to get more compression, then tweak the low and high band to suit the sound you want. The boost knob increases the mix of compressed audio with the dry signal.

    Dual band stereo compressors for low and high frequencies.
    Parallel compression mixes dry audio with compressed audio to preserve transients.
    Gain reduction indicators so you can see when compressors are working.
    Boost knob increases mix of wet signal.
    Gain knob increases input gain to desired compression level.
    High and low knob increase output gain of each freq band.
    All knobs are mapped to midi CC's.
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ClipStar



ClipStar is a soft clipper effect plugin, designed to prevent peaks in a subtler way than hard clipping, increase loudness and add pleasing saturation.

Where ClipStar differs from other clippers is that it can leave the low frequencies untouched, where distortion is more evident, and allow a greater boost in gain without noticeably degrading the signal. You can use ClipStar for peak protection, for loudness gain or for sympathetic distortion depending on your mood and the phase of the moon.

    Vintage style soft clipper with low frequency bypass and comprehensive metering.
    In gain & Out gain adjustable to +/- 30 dB.
    Soft clip limit can be set from 0 to -30 dB.
    Low frequency bypass cut off from 0 to 1000 Hz.
    Low frequency gain can be adjusted from +/- 30 dB.
    Subtle colouring from a home-made blend of harmonics, saturation and noise.
    Optional hard limiting on final output.
    Metering covers stereo input, output and gain reduction. All meters show actual and peak levels.
    Adjustable peak meter hold time.
    Double-click knob resets.
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D2



D2 is an all-rounder compressor with an easy to use interface.

It demonstrates the compressor algorithms of its big brothers, bathtub and sidearm while keeping the interface simple for quickly dialling in some common settings. D2 can be heavy or subtle, razor quick or gentle, clean or dirty and is happy as an insert or buss compressor.

    Stereo compressor with gain reduction meter
    True stereo, each channel is compressed independently
    Threshold down to –40dB
    Ratio 1.5:1 to infinity
    Attack from 0-30 ms
    Release from 5ms to 2.4s
    Make-up gain to 20dB
    VU meter shows actual and peak levels of gain reduction
    Dirt option gives added distortion and enhancement
    All control parameters named and mapped to midi CC
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Dirty Harry



Dirty Harry is an unashamedly DIY lofi synth based on the samples of two homemade, lofi noisemakers, the Atari Punk Console and the BugBrand WOM.

Dirty Harry offers 20 unique waveforms in all their mono/monophonic glory. For extra grit the oscillators can be sync‟d or ring modulated. Fidelity can be lowered further still with reduction in sample quality, distortion and a unique „bad contact‟ emulation. 2 tempo sync LFOs allow modulation of filter, pitch and contact, with one LFO modulating the depth and frequency of the other. There are envelopes for volume, pitch and filter, with different contours and pitch options. Throw in an arpeggiator, pitch drift and portamento and you can see that whilst it may be lofi in sound, it doesn't lack for sound design features.

    20 unique waveforms sampled from homemade lofi synths, the Atari Punk Console and the BugBrand WOM.
    3 oscillators, syncable to osc1 and ring modulatable with each other.
    Each osc can be routed to the filter independently.
    2 tempo sync LFOs with many waveforms, can modulate filter cutoff, each osc pitch and the contact depth and wet level.
    LFO 2 can modulate the depth and speed of LFO 1.
    2 envelopes for volume, filter or pitch, with various contours and options to modulate up/down.
    Tempo sync arpeggiator.
    Dodgy contact emulation.
    Pitch instability.
    Low quality, dirty, lo-fi options.
    16 dirt types.
    3 flavours of lofi.
    Arp octave control.
    103 presets across Lead, Bass, Arp, Fx, Drone and Basic categories.
    Updated to SE 1.1, eliminating multi-instance problems on multi-core CPUs.
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Dynamite cowbell



Dynamite cowbell brings you more cowbells than even Gene Frenkle can deliver.

    6 cowbells mapped to midi keys
    5 velocity layers
    close and room mic levels
    damping control
    5 bonus digibells
    1 cow
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entropy



entropy is a 3 osc subtractive synth with a set of pitch randomising options to generate melodies all on it’s own.

    Change pitch of each oscillator on a tempo sync’d timescale to random pitch value.
    Maximum change +/- value is adjustable.
    Blip pitch of each oscillator at random intervals to random pitch value.
    Pitch change and blip can be quantized to nearest x semitones.
    Blip has adjustable probability.
    Blip maximum +/- value adjustable, duration adjustable in seconds.
    Route any/all oscillators to state variable filter.
    Route any/all oscillators and/or filter output to flanger.
    Blip flanger rate at random intervals to random value.
    All randomising can be seeded and looped on 1 to 32 bar cycle.
    Each randomised parameter has a different seed, set from one master seed.
    Detune in octaves, semitones and cents.
    Adsr volume envelope.
    Mono/polyphonic switch with adjustable portamento.
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FMMF



FMMF is a 4 operator FM  synthesizer.

2 primary aims:
Make FM synthesis as accessible and user-friendly as possible.
Use multi-stage envelopes and LFOs to make give lots of movement and modulation.

    4 Operator FM Synthesis instrument with 17 FM algorithms
    11 different waveforms per operator, with note sync option
    7 Multi-segment Envelopes (up to 32 stages) for amp, pitch and effects modulation
    3 LFO’s for pitch and effects modulation
    All envelopes can be free or tempo-sync, each stage can have it’s own contour
    Envelopes can have user defined sustain and repeat points with flexible locking and zeroing options
    LFO’s can be free or tempo sync, with 20 waveforms and phase & note sync options
    Each LFO has it’s own ADSR envelope
    Arpeggiator with 6 modes and adjustable tempo-sync, note length and octave range
    Resonant low pass filter with key and velocity tracking, can be modulated by envelopes or LFOs
    Distortion effect with 18 flavours, can be modulated by envelopes or LFOs
    Delay with comb delay option, size, feedback and damping, modulated by envelope or LFO
    Harmonics can be adjusted from 1 to 256, with limit on frequency beyond Nyquist
    Polyphony adjustable from 1 to 16 voices
    Portamento time
    64 presets by brian botkiller covering many styles
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freq show



freq show screws around with your audio and ouputs an unholy version of whatever you fed it.

controls

    A - choose 1 from 11, using the power of your ears to decide which you like best.
    B - like A, but B.
    mode - choose 1 from 9 ways that A fucks up B, or B shits on A.
    xy pad - using your mouse, a midi pad or sheer will power, move the puck around to influence how much freq show will defecate on your audio.
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gator



gator creates a random steppy, gated effect, triggering volume between 2 adjustable values by a tempo-synced probability-based step sequencer.

An LFO can modulate the volume when triggered and trigger pulse length, attack and release can shape the sound

    Tempo-sync step sequencer, with 2 to 32 steps over a sequence length of 2 to 32 beats.
    Can be programmed or random, by setting the probability of each step from 0-100%.
    Seeded randomisation for repeatable loops up to 100 beats long.
    Volume triggered between upper and lower values, in either direction.
    Tempo sync LFO, with 6 waveforms and settings from 1/16 beat to 96 beats.
    Adjustable pulse length, attack and decay for shaping the modulation.
    Random swing for step sequencer.
    Wet/dry mix control.
    Midi CC and midi learn.
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GTA



GTA is a vintage style character compressor, designed like its muscle car name-sake for brute power, pure speed and to make a loud noise.

It is stripped down for ease of use and has a unique vintage colouring on top.

GTA is a peak compressor featuring super-fast attack and release times and has a wide range of threshold, ratio and output boost as well as a  wet/dry mix for NY compression. The metering covers input, output and gain reduction, showing both real-time and peak levels.

    Vintage style Peak compressor with parallel compression and comprehensive metering.
    Subtle colouring from a home-made blend of harmonics, saturation and dynamic noise.
    Ultra-fast attack and release times.
    Wet/Dry mix control allows phase-free blending of dry uncompressed signal for NY style parallel compression.
    Distortion reduction for very short release times.
    Metering covers stereo input, output and gain reduction. All meters show actual and peak levels.
    Adjustable peak meter hold time.
    Non-linear knobs for precise control at small values.
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GTO



GTO is a vintage peak compressor, designed like its muscle car name-sake for brute power, pure speed and to make a loud noise.

It has everything you’d expect in a thorough-bred compressor, but tuned for maximum control and ease of use, with its own unique vintage colouring on top. It has a super-fast attack and release and a wide range of threshold, ratio and output boost, so it can cover everything from subtle correction to death-by-compression, with everything in between. With an external sidechain, wet/dry mix for NY compression and a hard limiter too, you can really push this baby to get pumping bass and block-rockin’ beats. The metering covers input, output and gain reduction, showing real-time and peak levels.

    Vintage style peak compressor with external sidechain, parallel compression and comprehensive metering.
    Subtle colouring from a home-made blend of harmonics, saturation and noise.
    Wet/Dry mix control allows blending of dry uncompressed signal for NY style parallel compression.
    Choice of 2 attack/release curves.
    Stereo input detection can be linked or unlinked.
    Distortion reduction for very short release times.
    Internal or external sidechain routing.
    Additional 'Internal sidechain only' versions.
    Optional hard limiting on final output.
    Metering covers stereo input, output and gain reduction. All meters show actual and peak levels.
    Adjustable peak meter hold time.
    Non-linear knobs for precise control at small values.
    Presets covering all functions and different configurations.
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GTX



GTX is a vintage RMS compressor, designed like its muscle car name-sake for brute power, pure speed and to make a loud noise.

It has everything you’d expect in a thorough-bred compressor, but tuned for maximum control and ease of use, with its own unique vintage colouring on top. Unlike the peak compression of GTO, it has a smoother RMS delivery and also has further refinement in the shape of a knee control. It has a super-fast attack and release and a wide range of threshold, ratio and output boost, so it can cover everything from subtle correction to death-by-compression, with everything in between. It also has an adjustable RMS window for customised response and a knee setting to add further refinement. With an external sidechain, wet/dry mix for NY compression and a hard limiter too, you can really push this baby to get pumping bass and block-rockin’ beats. The metering covers input, output and gain reduction, showing real-time and peak levels.

    Vintage style RMS compressor with adjustable RMS and knee, external sidechain, parallel compression and comprehensive metering.
    Subtle colouring from a home-made blend of harmonics, saturation and noise.
    RMS window can be set for smooth cruising or sharp response.
    Knee amount can be changed from gentle curve to sharp edge.
    Wet/Dry mix control allows blending of dry uncompressed signal for NY style parallel compression.
    Choice of 2 attack/release curves.
    Stereo input detection can be linked or unlinked.
    Distortion reduction for very short release times.
    Internal or external sidechain routing.
    Additional 'Internal sidechain only' versions.
    Optional hard limiting on final output.
    Metering covers stereo input, output and gain reduction. All meters show actual and peak levels.
    Adjustable peak meter hold time.
    Non-linear knobs for precise control at small values.
    Presets covering all functions and different configurations.
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Imperfection



Imperfection is an effect plugin to put some lofi back into your pristine 64bit audio.

Who wants hi fidelity reproduction when you can reduce the quality, take out some of that bottom end, add a smear of saturation and bring your noise floor back up. Hmmm, perfectly imperfect.

    4 simple controls to take any lingering perfection away.
    Reduce audio quality to add some gritty texture.
    Filter out the low frequencies for some tinny speaker action.
    Pile on the dirt to give some lovely imperfect distortion.
    Raise your noise floor for some hum and fizz.
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jellyfish



jellyfish is a 4 oscillator synth with multiple modulation methods between the oscillators and of their various parameters which guarantees plenty of movement in the sound.

This is great for evolving pads, wobbly bass, vibrant leads or just plain strangeness. Using addition, subtraction, phase difference, ring modulation or phase distortion, the oscillators can modulate each other to get a wide variety of sounds. 2 tempo-sync LFOs and an ADSR envelope can all modulate this inter-osc modulation, as well as pitch, filter cut-off and each other. A pair of resonant filters and a tempo-sync delay complete the deal.

    4 oscillators arranged in pairs, with each pair able to modulate each other.
    9 inter-osc modulation methods, including phase distortion, phase difference and ring modulation.
    ADSR envelope per oscillator pair, with unlimited values and definable contours.
    2 resonant low pass filters with flexible routing.
    2 tempo-sync LFOs with 16 waveforms and adjustable phase.
    LFOs can modulate the inter-osc modulation, pitch and filter cutoff for each pair.
    LFO2 can modulate LFO1.
    1 ADSR envelope can modulate as per the LFOs and modulate both LFOs.
    Tempo-sync delay, with damping and mix level.
    Oscillator and LFO note-on sync.
    11 waveforms per oscillator.
    Midi learn / Midi CC parameters defined.
    50+ presets by runagate.
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Kitchen Sync




Kitchen Sync is a tempo-sync complex LFO.

It modulates 4 functions: 4 state filter (LP, HP, BP, notch), flanger, volume, panning.

    Tempo-sync LFO with multiple waveforms modulated by second LFO and/or ADSR envelope
    ADSR envelope can be triggered by any midi note on message
    4 effects can be modulated: filter cutoff, flanger, volume, pan
    LFO 1 phase, depth and offset can be different for each effect
    LFO 2 phase, strength and origin can be different fo each effect
    ADSR envelope is independant for each effect
    LFO depth can be randomised each cycle
    Full midi CC / midi learn
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Loophole



loophole is a midi-triggered loop sampler, which allows you play sections of up to 4 different loops using midi notes to control which section of which loop plays.

This can be a great way to mash up 4 different loop styles or add quick variations on 4 similar loops. As well as having full control of which sections to play, you can also trigger random sections too.

You can load any 4 loops and sync them to host tempo, then using midi notes you can play the loops, switching between loops, playing several loops and defining which sections play. You also get a visual display of the loops, the play position and which sections are being played. The multi-out version lets you apply further effects processing to each loop separately. Loophole also has a volume envelope per loop to declick or fade in/out.

    Loop sampler, using midi notes to trigger sections of each loop, either specifically or randomly.
    171 original drum loops in 24bit Wav format, across 19 different kits covering acoustic and electronic styles (Rock, Jazz, Breakbeat, DnB, Hip Hop, Dubstep, Lofi, Glitch, 8 bit, House, Trance and more).
    Loads any 16, 24 and 32 bit WAV in mono or stereo.
    Very low CPU (<1% on 2.2GHZ dual core CPU).
    Tempo-sync each loop by setting length in beats, allowing stretching or different lengths if desired.
    Play sections of each loop, each triggered by a different midi note.
    Play random sections using one midi note.
    Graphical representation of loops, play position and triggered sections.
    Normalise and mono options per loop.
    Envelope per loop to fade in/out or declick.
    Volume control and mute per loop.
    Stereo out and Multi-out versions.
    21 presets covering different styles and sounds.
    12 midi files showing examples of basic and advanced triggering.


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machin



machin is a random, probability-based, step-sequenced multi-fx device.

The step sequencer defines the probability that any single random effect will be triggered on that step. The weighting defines the probability for each effect that it will be the one that is triggered.

    6 effects (gate, crusher, filter, flanger, delay, reverb).
    2-32 step probability sequencer over a cycle of 2-32 beats.
    Seeded randomisation with loop repeat over cycle of 2-100 beats.
    Swing control for step sequencer.
    Any effects can be turned off to save CPU.
    Each effect has an attack/decay on triggering and pulse length to determine duration effect is on.
    Master wet/dry mix control.
    All controls have MIDI learn.
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manic



manic is an 8-slot random sample player.

Samples are triggered according to their probability, on a tempo sync pattern. Also allows for randomizing of volume, pitch, pan, delay, reverse and swing. You decide how much, but not when. You can loop the sequence, change sequence with MIDI keys .

    8 sample slots, 16 & 24 bit mono & stereo wavs
    Each sample played randomly
    Tempo sync hit rate (hits/beat)
    Seeded randomizing for repeatable sequences
    MIDI playable seeding, change sequence with a MIDI key
    Random sequences can be looped for repeatability
    Randomised swing
    MIDI CC and MIDI learn
    246 samples and 25 presets
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metamorph



metamorph is a waveform morphing synth with a bunch of envelopes, LFOs and onboard effects to guarantee movement on even the most vanilla note.

Each oscillator can morph through a selection of waveforms in tempo sync or modulated by an envelope. It can also step through the waveforms, make each cycle a new waveform or even just stick with one waveform if you want. Throw in pitch modulation, 5 envelopes, 2 LFO's, a ring mod / 3rd audio osc, variable state filter, distortion, delay and an arpeggiator and that held note will never sound the same again.

    2 morphing oscillators with 11 waveforms, 16 morph stages and 5 morphing modes.
    3rd audio oscillator in combination with ring modulator.
    2 LFO's (Filter cutoff, Ring Mod).
    3 AHSDR envelopes (Amp, Filter, Wavemorph).
    2 ASR envelopes (both LFO's).
    Both LFOs have 19 waveforms with adjustable phase and depth and can be synced to note-on messages.
    All 5 envelopes have 13 contours and can be retriggered or free running.
    Pitch can be modulated by any of the 3 ADHSR envelopes or either LFO.
    Pitch can be set to drift, analogue style.
    Variable state filter, 6 modes, up to 4 stages and variable response curve.
    Distortion, 20 modes, wet/dry level and volume control.
    Arpegiator, tempo sync, 6 modes, selectable number of octaves and note length.
    Ring modulation with dedicated LFO, 9 modes, 11 waveforms and wet/dry mix.
    Delay, tempo sync with feedback, damp and wet/dry controls.
    Midi CC and midi learn.
    40 presets by Runagate.
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miniSID



miniSID is a quick and simple SID synth for getting that chiptune sound with the minimum of tweaking.

The waveforms are sampled from a 6581 SID chip and the arp gives that retro gamer effect.

    Square, Saw and Triangle waves sampled from a 6581 SID chip.
    2 oscs with 3 levels of oscillator sync.
    Arp with 3 modes and 4 speeds.
    Arp has up to 4 octaves range.
    Arp has 4 note length options.
    All controls have MIDI CC's assigned
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Moot



Moot is a flexible audio mute plugin with a number of additional features.

The aim is to have a mute switch (Hit Me) that can be assigned to a single midi keyboard key and act in 3 ways.

    as a latch (one press mute, release stays muted, next press unmute, release stays unmuted)
    in default mode (hold down to mute, release to play audio)
    in invert mode (hold down to play audio, release to mute)

The minimum and maximum volume can be set so that as well as muting, moot can act as a switch between a high and low volume In addition there is an audio gate to chop the audio and a smooth control to add a small attack/decay between changes
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pfilter



pfilter creates a steppy, gated effect, but using filter cut-off instead of volume to give a wider range of possibilities.

It uses a variable state filter, triggered between 2 adjustable cut-off values by a tempo-sync'd probability-based step sequencer. An LFO can modulate the filter when triggered and trigger pulse length, attack and release can shape the sound

    Tempo-sync step sequencer, with 2 to 32 steps over a sequence length of 2 to 32 beats.
    Can be programmed or random, by setting the probability of each step from 0-100%.
    Seeded randomisation for repeatable loops up to 100 beats long.
    Resonant variable filter, LP, HP, BP and notch.
    Filter triggered between upper and lower cut-off values, in either direction.
    Tempo sync LFO, with 6 waveforms and settings from 1/16 beat to 96 beats.
    Adjustable pulse length, attack and decay for shaping the modulation.
    Random swing for step sequencer.
    Wet/dry mix control.
    Midi CC and midi learn.
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plastique



plastique is a 2 oscillator subtractive synth, using the 31 waveforms from the Casio HT-700 and some enhancements to the original.

It does lofi 80s sounds but also so much more, with a configurable filter (up to 16 poles), a pitch envelope for percussion, an arp, tempo sync delay & LFO, chorus and some lofi instability.

    31 Waveforms from the Casio HT-700
    2 Oscs with sync and octave / semitone detune
    Configurable Resonant Low Pass filter (2-16 poles with cut-off spread)
    Volume and Pitch envelopes
    Tempo sync LFO with 10 waveforms and note-on sync to modulate filter and pitch
    Tempo sync Arp with 6 modes and adjustable octave range, note length
    Tempo sync Delay
    Adjustable Chorus
    Lofi options include reduction in quality, distortion and pitch drift
    64 presets from Tim Conrardy, Ouroboros & Sink
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psymon



psymon cis a single-waveform retro synthesizer.

Whilst faithfully recreating the speaker in a box sound of the original game, psymon takes a bold leap into the 21st century. You are no longer limited to the 4 notes of the game, but can use every single note on your midi keyboard! wow! With a simple press of the keyboard icon you can bring modern technology to bear and have each note sustain whilst your midi key is pressed! cool! Not only that, but the notes become velocity sensitive too! OMFG! The very best of retro sound and cutting-edge technology.

    One waveform, it’s a beauty.
    1 whole preset.
    Optional note sustain and velocity.
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PULS



PULS is a monophonic pulse wave synthesizer with simple controls but complex sounds.

From 2 pulse wave oscillators you can get chunky basses, scorching leads, retro chiptune, dusty lofi and oddball noises. With an unusual isometric pixel-art interface , what it lacks in knobs, it makes up for in sound.

It features custom pulse waveforms, unison, oscillator sync and ring modulation for some big ‘n’ dirty sound potential, with a tempo-sync LFO for pulse width modulation (PWM) as well as detune and volume modulation.

    Monophonic pulse wave synthesizer.
    2 oscillators with custom pulse waveforms.
    Adjustable Pulse width, modulated by LFO (per osc).
    Unison per oscillator.
    Oscillator sync and ring modulation between oscillators.
    Adjustable non-linear Release.
    Tempo-sync LFO with 4 waveforms with adjustable speed and depth.
    Pulse width modulation per oscillator.
    Detune and volume modulation.
    Tempo-sync arpeggiator with 6 patterns.
    Arp can cover 1 to 4 octaves, synced to host (1/32 beats to 4 beats).
    Adjustable note length (0-100%).
    32 presets covering many styles.
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QB-3



QB-3 is a vintage 3 band EQ plug-in, with its own unique colouring and a few tricks up its sleeve.

For each band you can adjust the centre frequency and gain. For the low and high shelving bands you can adjust the steepness of the slope, whilst for the mid peaking band you can adjust the bandwidth. This allows a range of sounds from steep, sharp cuts to smooth and gentle boosts. But it’s not a super clean and transparent plug-in. QB-3 features a pleasing combination of harmonics, saturation and low level noise to bring a subtle mojo to your sound. You also have the option to switch on a 40Hz cut to boost your low frequency headroom and a limiter to curb any peaks.

Vintage-style, 3-band EQ.
Subtle colouring from a home-made blend of harmonics, saturation and low level noise.
Full Stereo processing.
Centre frequency adjustable for each band.
Gain adjusts positively and negatively for each band.
Low and High bands have adjustable slope, including negative ‘resonant’ like curve.
Mid band has adjustable bandwidth for narrow to wide curves.
Master gain control.
Optional 40Hz cut for low frequency optimisation.
Optional limiting on final output.
Non-linear knobs for precise control at small values, with double-click reset to default value.
Presets covering all functions and different configurations.
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ring thing



ring thing is a multi-flavour ring modulator, with frequency and mix level controlled by an XY pad and each axis modulated by it's own tempo-sync LFO.

The modulation in both axes is shown graphically on the XY pad.

9 flavours of ring modulation, each with a different tonal quality.
11 ring modulation waveforms.
XY pad controls modulation frequency and wet/dry mix level.
Each axis can be modulated by it's own tempo-sync LFO with depth control.
7 LFO waveforms including random.
Each LFO can be damped and inverted.
Graphical display of modulation on the XY pad.
LFO's can be asyncronised to add further complexity to the modulation.
All controls have midi CC and midi learn support.
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Scylla



Scylla is a multi-layered synthesizer capable of producing synthesized audio combined with playback of custom samples and waveforms.

Scylla includes three different types of oscillators that can be modified to a wide variety of styles. Three built-in samplers can accommodate .wav audio samples of which can be modified through additional settings. Scylla also includes a powerful combination of LFO, ADSR and filter envelopes, Ring-Modulation, and Unison. What sets Scylla apart from other synthesizers is its unique Granular capabilities, both globally, and locally at the sample level.

The idea behind Scylla is to have an instrument capable of synthesizing audio through means of subtractive synthesis combined with sample-playback, ring-modulation, and granular synthesis. This allows for a wide variety of sonic possibilities ranging from lush pads to far-out soundscapes and effects. Scylla can be used for most any application and is only limited by the user’s imagination.

Three layers of programmable audio sources. Each layer consists of:

Sample player capable of loading full-length samples and custom waveforms.
Oscillator (Dual-OSC with cross-modulation, Morphing OSC, Spectral OSC).

Each sampler features:

Playback: Oscillate, Play-Once, Loop-Release.
Basic audio playback features (normalize, stereo to mono, zero-crossing).
Customizable Loop points.
Granular and Wavetable playback.
Loads any WAV format sample from your own library.

96MB of sample content, including waveforms, samples and loops.
128 presets by brian botkiller.
All audio sources have independent tune, volume, and pan.
Ring-Modulation per layer.
Variable stage Filter per Layer.
Adjustable Amp and Filter Envelopes per layer (Envelope contours can be changed).
Layer Assignable Granulator engine.
2 layer assignable LFO effects for modulating ring-mod, cutoff (filter), and phase of one LF.
Adjustable Global Amp Envelope.
Mix level of each audio source can be adjusted.
Mix level of each layer can be adjusted.
Master Volume.
Each audio source, envelope, ring-mod and filter can be switched off to save CPU.
Midi CC support.


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sfilter



sfilter is a step filter sequencer that creates gating, sweeps or rhythmic modulation of filter cut-off.

It uses a variable state filter, varying between 2 adjustable cut-off values according to a tempo-sync'd step sequencer. An LFO can also modulate the filter for extra moevement

Tempo-sync step sequencer, with 2 to 32 steps over a sequence length of 2 to 32 beats.
Resonant variable filter, LP, HP, BP and notch.
Filter cut-off between upper and lower cut-off values, in either direction.
Tempo sync LFO, with 6 waveforms and settings from 1/16 beat to 96 beats.
Random swing for step sequencer.
Wet/dry mix control.
Midi CC and midi learn.
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styrofoam



styrofoam is a lovingly rendered emulation a classic analog synth of yesteryear.

Take a nostaligic stroll in soft-focus, sepia-toned memories, when summers lasted for 16 months and you could still buy Penny Chews for a penny. Bring back the sounds of living room renditions of your favourite hits, in splendid monophonic square-wave glory with this faithful emulation, But back to that square-wave. It’s not just any old square-wave, no, it’s not just your bog-standard, ten-a-penny, digital square wave. This, ladies and gentlemen of discerning taste, is THE square-wave, the actual, real-life, carbon-copy, I-can’t-believe-a-plugin-can-be-this-analogue square-wave. Once you’ve tried it, there’s no going back to your complex, multi-waveform dreams. THIS is all you need.

One waveform, but a mighty fine one.
No GUI controls at all.
4 presets, covering the full range of cleanliness.
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subatomic



subatomic is a very simple sub bass drum synth, generating a pure sine wave for that deep sub kick sound.

pure sinewave oscillator
volume decay envelope
pitch decay envelope
variable pitch drop
6 different vol / pitch decay shapes
drum or synth mode
all controls have MIDI CC's assigned
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subfreak



subfreak is an ultra-simple 2 Osc synth for creating low down and dirty sub bass.

Just play your notes a couple of octaves below middle C for that deep subby hum change the waveform of Osc 2 to add a little grit.

Pure sinewave on osc 1.
Osc 2 shape and volume control.
Detune osc 2 for wobble.
Amp env release.
6 different waveforms for osc 2.
All controls have MIDI CC’s assigned.
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Sumo



Sumo is an effect plugin to make any sound as fat as you like.

It's good for fattening up leads and basses, adding some weight to pads, making your vocals chubby and your drums obese.
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therapy



therapy is an effect plugin that allows you to express your innermost feelings, neurotic ramblings or burning, muderous rage, and have the results presented in full stereo audio psychosis.

Instead of the usual knobs or sliders, therapy invites you to type words to generate the psycho-somatic algorhythms that will shape, bend your audio according to your own twisted mind. Express yourself through free association, random babbling or drug-induced, histrionic word-vomiting. Type it in, hear the results, scream at the moon.

Warning: therapy is not a replacement for professional psychological help. Neither am I, I’m as messed up as you are

3 band granulizer effect with absolutely no ability to deliberately control any parameter.
Word driven controls, even I don’t know how it works, but it does.
Stares back at you without suggesting how to solve your problems, just like a real therapist.
What was your relationship with your mother like?
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Thrummaschine



Thrummaschine is a 3 band distortion with LFO-driven filters.

Make your bass, mid and high frequencies oscillate at different speeds, shapes and pan, with whatever flavour and level of distortion you dial in for each band.

3 user-defined bands for bass, mid and high freqencies, with overlap if required
3 filters with tempo
sync LFO, for each freq band
overdrive, distortion and bitcrush effects
send level for each band to each effect
pan and volume for each band
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truc



truc use 2 xy pads to control 4 banks of effects.

Any 4 parameters. runs in manual or auto, random or LFO, all fully tempo-sync'd to your host .

4 effect banks

dirtifier – overdrive, bit crush, sample rate, variable state filter
modulator – flanger, tempo sync LFO modulates auto-pan or ring mod
delay – tempo sync delay with reverse, ping-pong and LP filter options
granulator – tempo sync granulator, pitch shift and gate with random options

2 independent xy pucks control; effect bank wet/dry level and/or relative volume or any 4 of 13 effect parameters
set the minimum levels of the pucks to change the sensitivity - lock bottom puck to the top puck to control both with one movement
either or both pucks can be independently set to ‘auto’, which moves the puck either randomly or by a configurable LFO, all in sync with host tempo
seeded randomisation with option to loop
switch unused effect banks off saves CPU
master volume and wet/dry levels
over 100 presets, from subtle to mental
all controls have MIDI CC’s assigned with MIDI learn option
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Truc2



truc2 is a multi-effect plug-in with 4 different effect modules and two automated XY pads to modulate their levels and parameters.

It is designed to add variation and movement, anywhere along the scale of subtle to overkill and is suitable for any material. The 4 effect modules are DIRT, GRAIN, RING and DELAY. The first XY pad modulates the volume/mix level of each module, whilst the second XY pad modulates any 4 of the 15 automatable parameters. Both XY pads can be moved manually and additionally automated with a variety of LFO shapes, speeds and depths.

DIRT – 18 flavours of distortion, 3 types of degrading and a resonant state-variable filter.
GRAIN – Tempo-sync Granulising with 6 envelope shapes and pitch/size/rate randomisation.
RING – Ring modulation with LFO, 14 tones, 11 LFO waveforms, vol and pan modulation.
DELAY – Tempo-sync delay with reverse, ping-pong and resonant LP filter.
2 XY pads with simultaneous manual and automatic modulation.
Modulate the effect module overall volume or wet/dry mix level.
Modulate any 4 from 15 of the parameters in the 4 effect modules.
Tempo-sync LFO for each XY pad axis, with 16 waveforms and adjustable depth and phase.
Dragable XY pucks for manual modulation, even when automated by LFO.
Graphical representation of XY and parameter modulation to see at a glance what is automated.
120 presets.
bonus truc2 mini plug-in.
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unstable



unstable is a pitch modulation effect.

unstable likes to mess around with your audio pitch. It uses 3 subtle pitch modulation modes to simulate the unpredictable but lovable pitch instability of an old tape machine or an analogue synth. It doesn’t only do subtle though, you can also put it in ‘insane’ mode if you’d rather just FSU

3 modes of continuously random pitch modulation:

buzz – rapid, fuzzy modulation.
wobble – medium, jerky modulation.
drift – slow, gentle modulation.

adjustable frequency and level for each modulation mode.
master level mode to adjust overall subtlety of effect.
wet / dry mix level control.
insane mode – removes all subtlety and smacks your pitch up.
all controls mapped to midi CC values.
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