H.G Fortune Prototype X VSTi Dark Pulsating Pad Synth
![[Image: WYkUA0m.jpg]](http://i.imgur.com/WYkUA0m.jpg)
Original Date: 08.17.2005
Prototype X (4-Voice)
This was a free prototype of a VSTi synth which now known as ProtoPlasm
(Although being a prototype it was already fully functional.)
Basicaly it was known to be some kind of "Dark Pulsating Pad synth"
as pads may have a noticable rhythmic element within,
but also a lot more types of sound could be done at the time.
There were several new(!) features within this one:
1. Two LFO comprising modulated, patternlike waveforms.
2. All three LFO had a waveshaping for more tweakability.
3. The three LFO provide 6 different outputs as there were
three mix-knobs for LFO 1:2, LFO 2:3, LFO 3:1 giving further
(mixed) waveforms or pattern.
4. There was a display showing the motion of the LFO-waves
which was quite handy as you could imagine the pattern and see
the "rhythms". It was like those "magic eyes" in the 50's used
in taperecorders etc.
5. Oscillator levels copuld be modulated by LFO's too which was
different as with the STS but also highly efficient.
6. Each filter had a special "Boost" button to emphasize the
current frequencies.
7. There was also a display to show the current delay feedback
amount - similar to the LFO-display.
Although this Synthesizer looked quite simple this was only for
more convenient handling. There was really power under the hood ;-)
What's peculiar or to be mentioned to each section?
Oscilltors:
there were 3 PCM-wave oscillators with 45 selectable waveforms (by now)
among thes wave are 12 new waves sampled from analog or VA Synths
Each oscillator output had a knob for level adjustment and each level could
be modulated by an LFO-output independantly and with adjustable amount.
Filters:
there were two filters LowPass (24dB) and HiPass (12dB) with a boost
switch to emphasize the current frequencies.
Each filter could be modulated by an envelope generator (ADSR) and
one of the 6 LFO-outputs (keep in mind most outputs can provide a
pattern!)
LFOs:
all three LFO were temposynced by divisors (1/16 note to 8 bars)
two LFO had also modulated pattern-like waveforms while the third
LFO is a conventional one with Sine, Triangle and Saw.
All waveforms could be shaped to a wide extend except Sin and Tri which
were not really suited for that.
Beside the normal outputs there were three additional outputs for mixed
waveforms providing even more rhythmic pattern for modulation.
Mix>VCA:
the levels of Direct, LP and HP outputs could be adjusted and the mixed
signal is processed by the VCA ADSR-EG.
There was a panpot for each output for an independant pan-position.
Delay & Main Out:
This was a stereo-delay with separate feedback adjustment also for
doing ping-pong echos. The delays were temposynced and each had a
feedback knob as it might have been useful to have some more feedback when
the delays were shorter - otherwise these delays would fade a bit
too early.
What was to be done:
Adjusting the waveform-set (volume, names, more samples)
GUI was to be made better although this one was already
very functional and looked quite nice. But I think Vera
wanted to put a hand on it ;-)
Prototype X (4-Voice)
This was a free prototype of a VSTi synth which now known as ProtoPlasm
(Although being a prototype it was already fully functional.)
Basicaly it was known to be some kind of "Dark Pulsating Pad synth"
as pads may have a noticable rhythmic element within,
but also a lot more types of sound could be done at the time.
There were several new(!) features within this one:
1. Two LFO comprising modulated, patternlike waveforms.
2. All three LFO had a waveshaping for more tweakability.
3. The three LFO provide 6 different outputs as there were
three mix-knobs for LFO 1:2, LFO 2:3, LFO 3:1 giving further
(mixed) waveforms or pattern.
4. There was a display showing the motion of the LFO-waves
which was quite handy as you could imagine the pattern and see
the "rhythms". It was like those "magic eyes" in the 50's used
in taperecorders etc.
5. Oscillator levels copuld be modulated by LFO's too which was
different as with the STS but also highly efficient.
6. Each filter had a special "Boost" button to emphasize the
current frequencies.
7. There was also a display to show the current delay feedback
amount - similar to the LFO-display.
Although this Synthesizer looked quite simple this was only for
more convenient handling. There was really power under the hood ;-)
What's peculiar or to be mentioned to each section?
Oscilltors:
there were 3 PCM-wave oscillators with 45 selectable waveforms (by now)
among thes wave are 12 new waves sampled from analog or VA Synths
Each oscillator output had a knob for level adjustment and each level could
be modulated by an LFO-output independantly and with adjustable amount.
Filters:
there were two filters LowPass (24dB) and HiPass (12dB) with a boost
switch to emphasize the current frequencies.
Each filter could be modulated by an envelope generator (ADSR) and
one of the 6 LFO-outputs (keep in mind most outputs can provide a
pattern!)
LFOs:
all three LFO were temposynced by divisors (1/16 note to 8 bars)
two LFO had also modulated pattern-like waveforms while the third
LFO is a conventional one with Sine, Triangle and Saw.
All waveforms could be shaped to a wide extend except Sin and Tri which
were not really suited for that.
Beside the normal outputs there were three additional outputs for mixed
waveforms providing even more rhythmic pattern for modulation.
Mix>VCA:
the levels of Direct, LP and HP outputs could be adjusted and the mixed
signal is processed by the VCA ADSR-EG.
There was a panpot for each output for an independant pan-position.
Delay & Main Out:
This was a stereo-delay with separate feedback adjustment also for
doing ping-pong echos. The delays were temposynced and each had a
feedback knob as it might have been useful to have some more feedback when
the delays were shorter - otherwise these delays would fade a bit
too early.
What was to be done:
Adjusting the waveform-set (volume, names, more samples)
GUI was to be made better although this one was already
very functional and looked quite nice. But I think Vera
wanted to put a hand on it ;-)
Enjoy this nostalgic RARE pad synth gem!
H.G Fortune Prototype X VSTi Dark Pulsating Pad Synth djKoSMiX.rar (Size: 5.4 MB / Downloads: 75)

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