music-society specialpack HG Fortune

[Bam]

music-society specialpack HG Fortune

In Memorium
=================================================================================
Alien Space Weaver



Alien Space Weaver is a synth especially made for spacey, deep or dark atmospheric backgrounds, soundscapes and FX sounds.

It features 2 PCM wave oscillators. Oscillator 2 uses waveforms created from images - it contains 75 special samples (fairly long ones created from images, providing very spacey sounds). Play it slowly and let the sounds evolve.

   2 PCM wave oscillators with separate external SF2 file (& option to load .wav).
   1 24 dB resonant LP filter with Modulation.
   1 12 dB resonant LP/HP filter with Modulation.
   2 Filter bypass + modulation.
   2 Bass Enhance.
   2 SpookB Fx (different from the ones used before).
   2 Delays with manual tempo offset; Pan and modulation.
   2 Pan for undelayed signal.
   6 LFO + 1 S&H as mod sources incl. manual tempo offset from x1 to x4.
   1 Reverb.
   1 "Nuthin ?" special modulation to Filter.
   5 Lazy Buttons (use 'All' for limitless patch switching).
   380+ Patches (more in preparation as well as further wavesets).
-------------
Alien Space Weaver Pro



Alien Space Weaver is especially made for spacey or dark athmospheric , backgrounds and FX sounds.

One oscillator contains 75 very special samples i.e. fairly long ones being created from various images providing very spacey sounds from the start already. Thus play it slowly and let the sounds evolve. It's also been called the Eeriator ;-) As of this you might notice there are no ADSR EG, Well, that's right! There are only A(ttack) & R(elease) VCA EG while all modulations are done by 6 LFO and one S&H with various options.

   2 PCM wave oscillators with external sf2 files.
   1 24 dB resonant LP filter with ADSR EG and Modulation.
   1 12 dB resonant HP filter with ADSR EG and Modulation.
   2 Filter bypass + modulation.
   2 Bass Enhance.
   2 SpookB Fx (different from the ones used before).
   2 Delays with manual tempo offset; Pan and modulation.
   2 Pan for undelayed signal.
   6 LFO + 1 S&H as mod sources incl. manual tempo offset from x1 to x4.
   1 Reverb.
   1 Nuthin ? special modulation.
   5 Lazy Buttons (use "All" for limitless patch switching ;-)
-------------
AlioNoctis Pro



AlioNoctis produces ambient textures and sounds.

In fact this VSTi synthesizer by HG Fortune goes soundwise beyond all the aforementioned ones. So you can expect what's typical for most of HG Fortune synths: Vivid athmos, textures, pads but also some rhythmicated sounds, all can be enriched by the out-of-this-world flavour of Inferno, Spooks and of course the highly efficient Bass Enhancer.

   3 digital PCM-wave oscillators powered by 128 selectable waveforms (as external sf2 file).
   3rd oscillator with 8 slot wavemorphing selectable.
   Oscillator Mix via X/Y Pad and various modulations.
   2 resonant filters (24db Lowpass and 12db Highpass).
   3 ADSR-style envelope generators.
   Inferno for adding generated upper harmonics.
   Spook 1 & 2 effects with X/Y Pad and various modulations.
   Super Modulation X/Y Control Pad to modulate up to 10 destinations simultaneuosly.
   LFO Section with 7 LFO plus one Sample & Hold most with bpm synced tempo and key sync.
   very efficient Bass Enhancer.
   1 dedicated Lazy buttons.
   Straight and easy access for editing on the GUI.
----------
Alphatron



Alphatron Pro was inspired by the idea of creating a synthesizer for bass and high sequences.

Alphatron is not just a simple VA synthesizer, instead, in using a 3rd oscillator with digital waves of single cycle type, it offers a lot more variation. Thus it can do pretty good analog-style sounds reminiscent of the old Moog and Prophet days but also merge this with the digital realm in various ways to achieve sounds far beyond.

Also, this 3rd oscillator serves as sync master for oscillator 2 thus offering much more sonic flavour. Amplitude Modulation has got a dedicated adjustable output and uses oscillator 2 as the main source being modulated either by oscillator 1 or 3. Oscillator 1 is a polywave oscillator with up to 5 additional waves, so you might have something like Super Saw, Super Pulse, Super Ramp, etc.

Another highlight of Alphatron is the versatile step sequencer with 8 + 4 pattern slots which can be selected in real time for instant pattern switching. Setting Note Seq to off it can serve as step modulator. The Gate length can be modulated by sources. Two play modes: normal with adjustable number of steps or Step Variation, which is in fact another 16 step sequencer to set different number of steps to be played in succession. Loops can be set to repeat up to 4 times, and two alternating semitone offsets can be set, e.g. for each 2nd, 3rd or 4th loop. There are 8 pattern slots per patch and 4 global pattern slots which can be used for instant pattern changes. Current pattern can be copied and pasted to a selectable slot, with the global slots even among patches.

   1 VA Oscillator with up to 6 poly waves for Saw, Ramp, Sine, Tri, and Pulse.
   1 VA Oscillator with single waves as above plus white and pink noise, Sync slave.
   1 Sample Oscillator with fairly typical digital waves (single cycle type) with different harmonic content, Sync master.
   1 Amplitude Modulation with dedicated output.
   1 24 dB resonant Low Pass filter with dedicated ADSR EG, 4 mixable mod sources.
   1 VCA EG. Note: Both EG have 3 modes: exponential, reverse exponential, and linear; and optional control for Attack and Decay by velocity.
   1 Booster or Exciter selectable.
   1 Mystify with three selectable types (Brite, Soft, Dark).
   1 BPM synced Delay with adjustable Offset controlled manually or by modsource, Pan.
   1 Bass Boost.
   1 Pan for undelayed signal.
   1 small Reverb for adding some nice flavour.
   1 Saturator.
   1 main Volume.
   3 x LFO, 1 x Duo LFO (with two waves and phase control for 2nd wave), 1 x S&H.
   1 Pitch LFO with option to speed up or down the LFO speed.
   16 Step Sequencer (with Shuffle) for notes and velocity plus mute buttons for each step. Includes 8 pattern slots per patch and 4 global pattern slots for instant changes.
   3 Wheels.
   Aftertouch as selectable modsource.
   8 Lazy buttons.
   8 GUI variants selectable.
   128 patches.
------------
Alphatron SE



Alphatron is a hybrid analog / digital oscillators synthesizer.

Alphatron is not just a simple VA synthesizer instead in using a 3rd oscillator with digital waves (quite similar to an Ensoniq ESQ-1 / SQ 80 from the late 1980ies) it does offer a lot more sonic potential. Also this 3 rd oscillator serves as sync master for oscillator 2 thus creating a lot more sonic flavours. Amplitude Modulation has got it's dedicated adjustable output and uses oscillator 2 as main source being modulated either by osc. 1 or 3. Oscillator 1 is a polywave oscillator with up to 5 additional waves, so you might have something like Super Saw™, Super Pulse, Super Ramp etc.

   1 VA Oscillator with up to 6 poly waves for Saw, Ramp, Sine, Tri, and Pulse.
   1 VA Oscillator with single waves as above plus white and pink noise, Sync slave.
   1 Sample Oscillator with fairly typical digital waves with different hamonic content, Sync master.
   1 Amplitude Modulation with dedicated output.
   1 24 dB resonant Low Pass filter with dedicated ADSR EG, 4 mixable mod sources.
   1 VCA EG.
   Both EG have 3 modes: exponential, reverse exponential, and linear; and optional control for Attack and Decay by velocity.
   1 Booster or Enciter selectable.
   1 Mystify with three selctable types (Brite, Soft, Dark).
   1 bpm synced Delay with adjustable Offset controlley manually or by modsource, Pan.
   1 Bass Boost.
   1 Pan for undelayed signal.
   1 small Reverb for adding some nice flavour.
   1 Saturator.
   1 main Volume.
   3 x LFO, 1 x Duo LFO (with two waves and phase control for 2nd wave), 1 x S&H.
   1 Pitch LFO with option to speed up or down the LFO speed controlled by Modwheel or Aftertouch.
   3 Lazy buttons.
-----------
Altair 4



Altair 4 - The SciFi Sounds Lab is best suited for creating soundtracks for movies or games in the genres of SciFi, Suspense, Horror, Fantasy and similar, that need special, spacey, wobbly FX sounds.

It can do more than these, e.g. bell-like stuff, and it even fits well in fairly conventional songs. Altair 4 is also an homage to the movie 'Forbidden Planet' from 1956, it being the first movie with a complete electronic soundtrack using sounds that could have been done with this plug-in.

   2 oscillators with two sound-sources with one (B) driving the other (A) to resonate.
   Each oscillator with three mod inputs and extensive control options.
   3 LFO: L1 (7 waves) with key restart on first key pressed, L2 (8 waves) and phase modulation.
   L3 (7 waves) with optional modulation by sub LFO.
   2 hidden LFO: L12 = mix of L1 and L2, L13 = mix of L1 and L3.
   1 Sample & Hold (6 modes).
   1 VCA with AR EG (with pan for un-delayed sound at Rev section).
   1 Main Volume with level control: fixed, Velocity, and even Aftertouch, or Wheel.
   1 Delay (BPM-synced) and dedicated pan.
   1 Bass Boost.
   1 Reverb with predelay.
   1 Hold button to hold last played key.
   1 Joypad with 3 balls to control 6 destinations.
   8 Voices.
   256 Patches (2 Banks).
-------------
Anvilia Pro



Anvilia is a wavetable synthesizer.

At the first glance quite simple but highly efficient for even complex soundcreations due to some versatile modulations and the Enhanced Colorizer to add some more spectral color layers. This one is not only suited for pads, atmospheres, textures or experimental sounds etc. but also for quite common sounds.

   2 Oscillators with 128 waveforms as external sf2.
   1 enhanced Colorizer incl. HP Filter and EG to add additional "spectral color" layers.
   6 LFO and 1 Sample&Hold incl. 1 dedicated pitch mod LFO.
   1 24db LowPass filter with resonance and EG (ADSR).
   1 Amp EG (ADSR).
   1 Delay bpm synced and can be modulated by selectable source.
   LKO function for Delay (LastKeyOff unleashes full delay amount as set by DlyLvl).
   LoBoost & Saturator.
   Pan modulatable by selectable LFO.
   Switch between normal Pan and Delay to opposite direction.
   4 Lazy buttons.
   3 voices.
   10 Selectable background skins.
   Incl. 2 patchbanks = 256 presets.
-----------
Arracis Gold



Arracis Gold is an oscillator stepping synthesizer.

Its most significant feature is the 4 x 8 osc step-sequencer with adjustable gate-length + modulation on gate-length.

With this step-sequencer you can have a quite rhythmical output incl. short blips (stepping among the oscillators in selectable sequence) plus mixing to the normal (steady) output signal for vivid Pad or Atmos. In addition the 2 filters provide further means for tweaking. Finally at the output section there is Spook fx and two delays in series incl. pan modulation for delay and direct out for spatial movement.

   4 PCM wave oscillators with 384 waves in 3 banks with mixable output in groups of 2 (User wave & SF2 files can be loaded too into each osc slot).
   4 x 8 osc step-sequencer with various settings incl. gate-length, hard/soft knob, etc.
   Mixable output of stepped and normal (steady) osc signals incl. modulation.
   1 24 dB resonant LP filter with ADSR EG and Modulation.
   1 12 dB resonant HP filter with ADSR EG and Modulation.
   Filter bypass + modulation.
   1 Bass Enhance.
   1 Spook Fx.
   2 Delays in series.
   3 Pan (direct, delay 1 and delay 2) incl. modulation.
   6 LFO + 1 S&H as mod sources.
   6 Lazy Buttons (use 'All' for limitless patch switching).
   10 voices.
   Key Velocity on Amp, LP & HP Cut, and Filter bypass.
-------------
Astral Dreamer Free



Astral Dreamer is a 3 PCM wave oscillators synthesizer.

There are dedicated routing options starting right at the oscillators which can be routed to one of the two filters, a flanger, or direct to the VCA. So you can have a dedicated soundmodifier for each oscillator allowing a wide variety of multicoloured sounds within a single patch very much like multilayered sounds.

Each oscillator has got an Additional Harmonics Shaper (AHS) to enrich sound in generating shapeable upper harmonics from the selected wave. The character of this additional sound ranges from rich choruslike to metallic sounds and can be mixed - also via modulation - to the original wave.

The new waveset coming with Astral Dreamer does contain carefully processed waves to provide a wide variety of soundsources: Synth waves from real analog, virtual analog and digital synths, complex waveforms, soundscapes (mostly image generated sounds), plus some XFx sounds. Besides the routing possibilities there are a lot of modulation options to shape the sound into some intricate motion. And the straightforward GUI provides instant access to all controls for quick editing and tweaking to shape your sound.

Soundsources:

   3 PCM wave Oscillators each with 128 waves plus Additional Harmonics Shaper.

Filters:

   1 24 dB resonant Lowpass filter with ADSR EG and 4 channel mod mixer.
   1 12 dB resonant Lo, Hi or Bandpass filter with ADSR EG and 4 channel mod mixer.
   Filter Routing: parallel or serial possible.
   1 Flanger.

Mod sources:

   2 Aux ADSR EG (3 & 4).
   3 bpm synced LFO.
   1 bpm synced Sample & Hold.
   1 bpm synced double LFO with phase shifting.

Output:

   1 VCA ADSR EG.
   1 Pan for direct signal.
   1 Pan for delay signal.
   1 Delay.
   1 Stereo Reverb.
   1 Saturate/LoBoost (4 modes).

Other:

   Lazy button system.
   Velocity Sensivity slider.
   visual display of LFO motion (can be hidden).
   4 voices, 128 patches.
   MIDI Learn/CC Edit for most control elements.
   Inbuilt MIDI CC display.
------------
Atonoise 2



Atonoise 2 is an atonal synthesizer designed for SciFi and others alike sounds.

Atonoise 2 is a widely enhanced version of prior Atonoise and is basically built around the modified Mystify processors of the Avatar ST VSTi Synth. Thus it can mangle up sounds to a great extend beyond recognition. It can be used on virtually any kind of sounds like vocals, drumloops, tracks and is even suited for deep sample processing if very few til no modulation is involved. For a more easy access and to give you some ideas of the capabilities a small set of internal samples (including vocals, drumloops & track excerpts) is used for the internal preset bank.

   Pro Version 2C (True Stereo version).
   2 x Stereo Mystify with three selctable types (Brite, Soft, Dark).
   1 x Stereo Filter with 2 types (LP, HP).
   1 x bpm synced Stereo Delay.
   6 x LFO, 1 x Duo LFO, 1 x S&H.
   1 x Gator for gating modulations.
   1 semi parametric 3Band Stereo EQ, 1 small Reverb for adding some nice flavour.
   plus dll Pro Version 1C (Mono til output Pan) lighter on CPU than True Stereo version.
----------------
Atonoise Pro



Atonoise Pro is an atonal synthesizer designed for SciFi and others alike sounds.

It's got no filter by design and you won't hardly ever hear the basic waveforms. It's working atonal i.e. with no real defined pitch for various kinds of noisy sounds.

Atonoise is basically not meant for full polyphonic play, rather than mono- or duophonic though 5 voices are supported simply to have some reserve at longer release settings of the ADSR. Using more than two voices even might lead to slight distortions - in such case lower the levels at the oscillators or Dry/Wet.

2 oscillators each with a level adjust and both followed by one amp ADSR EG. The different waveforms simply provide different flavours to the modifiers.

4 modifiers: Inferno and Spook 1 to Spook 3. Inferno adds via Inferno Mix some upper harmonics generated from the input very similar to the timbre feature of my Swamp VSTi. Spook 1 and Spook 2 modifiers can be used as single, in parallel 1|2 or in series 1-2 (see image Signal flow below). The spook amount is determined by the two spook knobs while the XY-Pad ads more or less density i.e. a fairly metallic sound in lower left corner or less density at upper right corner. This can be modulated by selectable and even invertible LFOs. Moving the 'Ghost' image like a joystick ball manually is another option to modulate density. Spook 3 adds even some kind of reverbish flavour when slider is moved to the right.

Anyway please note that using all four modifiers at the same time may soon be the overdose to the mix instead try with more subtle settings by selecting only two or three modifiers.
-------------
Avatar ST



Avatar ST is most suited for a large variety of pads, soundscapes, atmospheres or related FX sounds but can do other sounds like e.g. certain kinds of basses too.

The 16-Step Modulator allows sounds to be fairly rhythmical in various ways if required. Also you can have one section step-modulated while the the other is not as there are two complete sections with oscillators, modifiers, VCA EG, Delay, Pan and Reverb send, plus a grain processor and a multimode filter to be inserted via different audio routings. In addition there are a lot of modulation options you might select from in order to tailor your sound.

   2 x 2 PCM wave oscillators with 384 waves in 3 banks.
   2 x Osc Mix section with one XY-Pad plus mix option for direct and step modulated out.
   2 x Mystify with three selectable types (Bright, Soft, Dark).
   1 x Grain Processor.
   1 x Filter with 4 types (LP, HP, BP and Feedback) incl. 1 ADSR EG.
   2 x VCA EG (ADSR).
   2 x Delay, 2 x Pan.
   7 x LFO, 1 x S&H, 16 Step Modulator, Keytrack and Modwheel.
   1 semi-parametric 3-Band Stereo EQ, 1 small Reverb for adding some nice flavour.
   16 voices, 8 Lazy Buttons.
------------
Drumburst X-824



Drumburst X-824 is an 8 parts drum machine with 64 waves at each slot making 512 waves in total: not too much for a quick selection but a good variety to work with.

The inbuilt sequencer features 24 Main Pattern each based on the combination of a dedicated wave, Mute status and 1 out of 6 Step Pattern variations per part. This provides a lot of variation and less of programming effort as pattern can be re-used with a different instrument.
-----------
LaserBlade



LaserBlade is a hybrid synthesizer featuring a versatile sound-engine with modulatable XTorsion, Filter FM (frequency modulation of filter like in the Sequential synths) and a Metallize section.

This enables you to achieve quite sharp or digital sounds as well as a variety of short percussive Seq-sounds; LaserBlade can also generate soft, bell-like sounds, and more.

   Two digital PCM-wave oscillators powered by 170 different waveforms.
   Each oscillator has a Harm+ knob for enhancing the upper harmonic structure.
   XTorsion with selectable modulation source.
   One filter (24db Lowpass with resonance).
   Filter-FM feedable from both oscillators separately.
   Two ADSR-style envelope generators.
   Three LFOs (one BPM-synced; one with 42 pattern-style waves; one with shapeable waves).
   Metallize section for more metallic timbres incl. two modulations.
   BPM-synced Stereo-Delay.
-----------
Percumat 2



Percumat 2 is a versatile Rhythm machine for backing drums percussion - "definitively not an 808 or 909 type thingie".

Percumat 2 features 6 instrument parts / slots to choose from 512 inbuilt drum & percussion sounds. There are two step sequencers one for setting up the beat steps in groups of 4 x 8 steps (or 4 x half a bar) labeled A1, A2, B1 & B2, while the 2nd sequencers on the left allows you to control a sequence of the 8-step beat groups in 16 steps. Thus it is easy to get variations without having to program complete 16-step bars. In addition to that there is an Auto Track Mute feature for tracks 4, 5 and 6 to have one or two tracks muted for a certain range.

The beat step sequencer offers two additional features: StepMode and Play number of Beats, i.e. Steps so you can have a 7/8, 6/8, 5/8 or even 3/8 beats, while Step Mode changes the order of steps to play in jumping to every 3rd, 4th, 5th etc. step with setting at 7 steps playing the sequence backwards. This is a real playground not only for the lovers of experimental rhythms.
----------------
Plutonia



Plutonia is a fairly simple SF2 Synth including a selection of 256 waves.

   2 oscillators with 256 sf2 based PCM waveforms each.
   Selection of built-in waveform from H.G. Fortune wavesets: AlioModularity, HGF Best of # 1 & # 2, Athmonia-a (complex waveforms generated from images), Seamless Textures (complex waveforms generated from images), HGF Retro Set.
   24dB Lowpass filter with resonance per synth voice.
   Condensed Spook B fx.
   BassEnhancer to enhance low frequencies (works indenpendently from Color signal).
   BPM-synced delay.
   2 ADSR envelope generators (one for Filter, one for VCA) for modulation.
   4 LFO’s (including SLFO) and one Sample & Hold.


------------
ProtoPlasm Pro



ProtoPlasm Pro is a pad and texture synthesizer.

   1 dedicated Attack Oscillator with 128 waveforms controllable by adjustable velocity amount.
   Super Modulation Morphing via Mod Wheel at selectable rows for the Mod Matrix.
   Modulation Matrix for LFOs with positive and negative inputs.
   LKO system for delay with four key-dependant modes.
   3 digital PCM-wave oscillators powered by 128 different waveforms (123 new ones).
   Each oscillator's level can be modulated by different sources via mod matrix.
   1 LP filter (24db Lowpass) with ADSR EG, Filter FM and keytracking.
   1 HP filter (12db Hipass) with ADSR EG, Filter FM and keytracking.
   2 shapeable LFO with pattern-like waveforms (BPM-synced).
   1 LFO with 21 complex waveforms and free speed adjustment.
   1 shapeable Sample & Hold with pattern (BPM-synced).
   Adjustable level for direct, LP and HP output with separate pan each.
   Stereo-delay (BPM-synced).
   Soundfonts for oscillators as external SF2 files and wav-files loadable.
---------------
ProtoPlasm TS / TSM Pro



ProtoPlasm TSM Pro is a pad and texture synthesizer.

One of the special features of this synthesizer is a very easy to handle modulation-system with 8 LFO/S&H-outputs plus Transition system and Super-Modulation. There are even patternlike LFO-waveforms as modsources so You can do quite amazing and complex modulations with only very few settings. Basically this synthesizer is best suited for highly vivid pads and textures but you can also do standard synth sounds like bass, leads etc. More than 1100 patches (still patchcompatible to prior versions) included: see Appendix.

   3 digital PCM-wave oscillators powered by 150 (96 in free version) different waveforms of enhanced quality.
   Each oscillator's level can be modulated by different sources.
   Super Modulation for osc. and both filters.
   Filter-FM for both filters with adjustable sources.
   Shape function for S&H seed source.
   Transition System with three modes.
   1 LP filter (24db Lowpass) with adjustable Boost and ADSR EG.
   1 HP filter (12db Hipass) with adjustable Boost and ADSR EG.
   2 shapeable LFO with patternlike waveforms (bpm-synced).
   1 shapeable standard LFO (bpm-synced).
   1 shapeable Sample & Hold with pattern (bpm-synced).
   Each LFO and S&H provide an additional Mix-out for mixed LFO-shapes.
   The LFO-modulation stepper switches selectable sources for modulation in sequence or at random.
   1 ADSR EG for VCA.
   Adjustable level for direct, LP and HP output with separate pan each.
   Stereo-delay for PingPong effects (bpm-synced).
   User-Waves for oscillators now via Soundfontfiles (SF2) and wav-files loadable.
------------
Serenity



Serenity is a synthesizer aimed at creating various choir and string pad sounds.

It is not meant to emulate a specific vintage string or choir machine, although you might find sounds resembling the flavours of the old machines.

Serenity is a fully fledged synthesizer with filters, LFO, various effects and the "Twin Etherify" effect. In addition the internal waveset has been carefully selected to provide you with a wide range of string, choir and vocal waves plus some more complex pad sounds. Most of these waves have been processed widely from prior versions and several new waves have been added.

   2 x PCM wave oscillators with 128 waves in 2 banks as primary sound sources.
   1 x Filter - 3 types (LoPass, HiPass, BandPass) ADSR EG with Vel control on Attack & Decay, and 3 Response Modes.
   1 x 4 channel adaptive mixer for cutoff modulation.
   1 x VCA EG (ADSR) Vel control on Attack & Decay, and 3 Response Modes.
   1 x Pan.
   3 x LFO.
   1 x S&H.
   1 x DLFO (Double LFO with two outputs and phase-shifting).
   1 x special Pitch LFO with Speed Up/Down options.
   1 x Twin Etherify (2 Formant filter) with various modulation options.
   1 x Gator not only on Level but optional for Filter and delay Pan too.
   1 x Delay with several options for panning delayed signal.
   1 x Stereo Flanger.
   1 x Stereo Reverb.
   1 x Bass Enhance.
   1 x XY-Joypad with 6 controls for 12 destinations and optional display for LFO & Aftertouch motion.
   3 x Lazy Buttons.
   12 voices, over 760 patches (6 banks).

Free version limitations: 3 voices, no internal patch management, no MIDI Learn, no velocity control on Attack / Decay of VCF / VCA EG, no SF2 Load, less patches (4 banks), but a hidden easter egg gimmick.


-------------
Shuniji



Shuniji is a wavetable synthesizer based on 2 PCM oscillators.

Shuniji seems quite simple, but it is highly efficient for even complex sound creations due to some versatile modulations and the Rainbow Modulator / Colorizer.

   2 PCM-wave oscillators powered by 124 different waveforms, one with level modulation.
   Rainbow Modulator for astonishing additional soundcolors.
   1 lowpassfilter (24db with resonance) + 4 direct and 2 indirect modulations.
   Filter-FM with selectable oscillator.
   2 ADSR envelope generators.
   3 LFO, one Sample & Hold (S&H) and one contour generator (CG); all bpm-synced.
   1 LFO with complex waveforms and rate adjustable by knob
   Saturator.
   Pan with modulation.
   Bpm-synced Stereo-Delay with color adjustment and Time modulation.
   8 voices.
   3 Lazy Button.
-------------
Silver Orbit



Silver Orbit is a 2 oscillators synthesizer with 8 waveforms each and option to modify the waveshape plus one oscillator with 5 waveforms, the latter one can be frequency modulated which is synced to osc. 2 thus FM will result in getting harmonic content.

   2 oscillators X 8 waveforms.
   1 24dB Lowpass filter with resonance per synthvoice.
   1 Spook fx as global fx.
   1 Color fx can be seen as simple EQ to enhance lower or upper frequencies.
   1 BassEnhancer to enhance low frequencies (works indenpendently from Color signal).
   1 delay synced to bpm.
   4 ADSR envelope generators (one for Filter, one for VCA and two as monophonic global sources).
   6 LFO and one Sample & Hold.
   XY Super Modulation as Mod Matrix with adjustable amount to destinations.
   6 Lazy buttons to randomize related sets of parameters.
   All in all Solar Orbit is capable of producing quite a variety of sounds among most noticeable are stunning.
   Sync sounds, fairly unique pads and fx sounds plus. With a good response on the lower frequency range one might achieve quite 'huge' and deep sounds too.
   Internal Patch Select, Patch (re-)name, & manage (load/save fxb/fxp).
---------
STS-11



STS-11 featuring the Wave-Transition method for absolute unique soundscapes and textures.

A very straight userinterface with 3 "Lazy"-Buttons for randomizing different sets of parameters so programming this synthesizer is incredibly easy. The Transition method adds a stunning new dimension and motion for an evolving sound changing completely it's characteristics.

Although this is an amazingly simple structured synthesizer it gains its astounding sound from the Transition method between the oscillators. As there are even some waves like Waterflow, Rainy and Jungle the STS is also suited for ambient soundscapes or even industrial noises.

   4 digital PCM-wave oscillators powered by 103 selectable waveforms.
   2 filters (24db Lowpass and 12 db Highpass, both mixable).
   2 ADSR-style envelope generators.
   1 LFO (bpm-synced).
   1 Sample & Hold (bpm-synced).
   1 bpm-synced, pan modulated delay.
   2 Transit and 1 Shift engine.
-----------
STS-17



STS-17 featuring the Wave-Transition method for absolute unique soundscapes and textures.

A very straight userinterface with 3 "Lazy"-Buttons for randomizing different sets of parameters so programming this synthesizer is incredibly easy. The Transition method adds a stunning new dimension and motion for an evolving sound changing completely it's characteristics.

Although this is an amazingly simple structured synthesizer it gains its astounding sound from the Transition method between the oscillators. As there are even some waves like Waterflow, Rainy and Jungle the STS is also suited for ambient soundscapes or even industrial noises.

   4 digital PCM-wave oscillators powered by 120 selectable waveforms.
   2 filters (24db Lowpass and 12 db Highpass, both mixable).
   1 ADSR-style envelope generators.
   3 LFO (bpm-synced).
   1 Sample & Hold (bpm-synced).
   1 bpm-synced, pan modulated delay.
   2 Transit and 1 Shift engine.
   User SF2 loadable.
-----------
STS-21



STS-21 features the eXTended Wave-Transition method plus X-Torsion for absolute unique atmospheres, soundscapes, pads & textures.

A very straight user interface with 3 “Lazy”-Buttons for randomizing different sets of parameters so programming this synthesizer is incredibly easy. The Transition method adds a stunning new dimension and motion for an evolving sound changing completely it’s characteristics.

   4 digital PCM-wave oscillators powered by 256 selectable waveforms.
   Loads Soundfonts & wavefiles (up to24 Bit).
   X-Torsion function for oscillators.
   2 Transit(ion)-modes.
   2 resonant filters (24db Lowpass and 12 db Highpass).
   3 ADSR-style envelope generators.
   2 LFO (bpm-synced).
   1 LFO with shapeable and even patternlike waveforms (bpm-synced).
   1 Sample & Hold (bpm-synced).
   1 LFO (bpm-synced) for alternate Transition mode.
   Stereo delay.
   Stereo Reverb.
   Internal Patch select, Patch (re-)name & Manage.


------------
STS-24



This synthesizer is featuring Wave-Transition method for absolute unique atmospheres, soundscapes, pads & textures.

A very straight userinterface with 3 "Lazy"-Buttons for randomizing different sets of parameters so programming this synthesizer is incredibly easy. The Transition method adds a stunning new dimension and motion for an evolving sound changing completely it's characteristics. Although this is an amazingly simple structured synthesizer it gains its astounding sound from the Transition method between the oscillators.

   4 digital PCM-wave oscillators powered by 127 selectable waveforms.
   X-Torsion function for oscillators.
   2 resonant filters (24db Lowpass and 12 db Highpass).
   3 ADSR-style envelope generators.
   2 LFO (bpm-synced).
   1 LFO with shapeable and 40 patternlike waveforms (bpm-synced).
   1 Sample & Hold (bpm-synced).
-----------
STS-26



STS-26 features the eXTended Wave-Transition method plus X-Torsion for absolute unique atmospheres, soundscapes, pads & textures.

A very straight user interface with 3 “Lazy”-Buttons for randomizing different sets of parameters so programming this synthesizer is incredibly easy. The Transition method adds a stunning new dimension and motion for an evolving sound changing completely it’s characteristics.

   128 waves + 21 perc. loops.
   2 contour generators.
   Stereo flanger with flexible modulations for depth and feedback per channel.
   Both filters with Filter FM driven by selectable osc. source each.
   Low octave loop play as part of the synthsound.
   4 PCM-wave oscillators powered by 128 selectable waveforms.
   2 resonant filters (24db Lowpass and 12 db Highpass).
   3 ADSR-style envelope generators.
   2 LFO.
   1 Sample & Hold.
   Space rotation width.
   Stereo Delay.
-----------
STS-33



STS-33 features the Wave-Transition method best suited for atmospheres, soundscapes, pads & textures.

A straightforward user interface with 10 dedicated "Lazy"-Buttons for randomizing different sets of parameters makes programming easy. The Transition method plus the new Super Modulation X/Y control pad add a new dimension and motion for an evolving sound changing completely its characteristics.

   4 digital PCM-wave oscillators powered by 256 selectable waveforms.
   2 resonant filters (24db Lowpass and 12 db Highpass).
   3 ADSR-style envelope generators.
   LFO Section with 6 LFO and SH&H with 5 being syncable to keystroke.
   Step Modulator - even driven by keystroke on non legato play.
   Super Modulation X/Y Control Pad to modulate up to 8 destinations simultaneously.
   2 output channels (F & D) with LoBoost, Saturate, Delay (+ modulation) and Pan to stereo sum.
   10 dedicated Lazy buttons.
------------
Swamp



Swamp is a timbre modulation synthesizer. This being achieved by processing each oscillator's waveform in a very unique way.

The result is frequencies are moved to more mid and high ranges - enriching the sound even with harmonics and at certain settings adds a metallic character usually expected by a ringmodulator - but there is no ringmodulator used.

Each oscillator has actually two audio-outputs: one normal and one Timbre-modulated both being routed by mix-sliders to filter or direct out of VCA. So the most interesting part of a sound is already created in using the mix and modulation section of each oscillator. In addition to that the filter section adds what You expect from a synthesizer.

   2 digital PCM-wave oscillators powered by 64 different waveforms.
   Each oscillators has two outputs: normal and Timbre-modulated.
   Timbre-modulation is achieved by special system of processing the waves of each oscillator.
   1 filter (24db Lowpass).
   2 ADSR-style envelope generators.
   4 LFO (bpm-synced).
   3 Sample & Hold (bpm-synced).
   1 bpm-synced Delay with LFO-synced Pan-modulation.
---------------
Swamp XT



Swamp XT is a timbre modulation synthesizer. It can create unique sounds from clear & harsh metallic sequenced sounds to soft & wide modulated Pads. This is achieved by modulating the timbre on the oscillator level.

Swamp XT features 'Timbre-modulation': It processes each oscillator's waveform in a very unique way by changing (i.e. enriching or limiting) the harmonic spectrum making the sound fatter, wider or narrower, right down to nearly dissolving it to some kind of distorted noise, depending on the input wave.

While the original Swamp had an oscillator routing to balance its output between normal (i.e. direct signal) and timbre modulated signal, which could each be balanced to go to direct out or to filter, this has been simplified in Swamp XT: direct und timbre modulated signal can be balance mixed to one signal and the output of both oscillators can be balance mixed too. While the direct and filtered signal can be balanced at the amplifier stage of Swamp XT.

Swamp XT delivers a wide variety of sounds - including some really strange and weird.

   2 digital oscillators running at a time to be selected from:
   - 2 PCM wave oscillators powered by 128 different waveforms.
   - 2 additive wavetable generators to create various waves from up to 31 partials.
   1 resonant filter (24db Lowpass).
   4 ADSR-style envelope generators.
   X-Torsion, one Spook effect, one Gator (Gater) effect.
   4 LFO (BPM-synced).
   1 dedicated Pitch LFO (BPM-synced).
   1 Sample & Hold (BPM-synced).
   1 BPM-synced Delay.
   XY Super-modulation Pad.
------------------
The Dreammachine



The concept of The Dreammachine is based on three synth layers with slow wave sequencing and sound modulations.

Version 3 of The Dreammachine has gone polyphonic now and can be used as a synth too, so there are three basic ways to play the machine:

   Using the inbuilt Note sequencer and, if you like, play along.
   Hold a note and if you like play along or edit.
   Play the machine as 16-voice synthesizer with max. 6 oscs on one key.

In addition you can manually advance each part using MIDI keys/notes #24, #26, #28 and #29 plus #35 to advance synth parts simultaneously. As the Note sequencer is hard-linked to the Bottom/Low Part this one will be advanced too.

There are three parts: Bottom/Low (or Bass), Back/Mid (or Pad) and Sparkle/High for three basic layers of sound plus a OneShot part to throw in some additional highlights such as vocal phrases, percussive sounds or Sfx. Each part has got a 16-step sequencer for waveforms to be played in succession with the One Shot part having 32 steps. The Note sequencer has an option to play duophonic by adding a 2nd note (selectable in 3, 4, 5, 6, or 7 semitones up). Also, Back/Mid and Sparkle Parts can be set in semitones from -12 to +12. This provides a very flexible means to set up sophisticated complex sound layers.

For convenience, the wave names are not only displayed at each seq step but also selectable from popup menus showing the names.
---------------
UltraSwamp Free



UltraSwamp is powered by 2 PCM wave oscillators (SF2 based) as primary sound-sources and two secondary sound-sources:

Timbremodulator for applying some upper harmonics in a very unique way, and Ringmodulator generating the sum and difference of the input signals so it can give quite a low rumble. As both of these sound-shapers have great capabilities to transform the input signal even beyond recognition these are treated as secondary sound-sources which are processed per voice.

Next are 3 resonant filters selectable: 24dB LowPass, a 12db HiPass and a Bandpass with a 4 channel adaptive mod mixer so 4 sources can be mixed to modulate Cutoff. This adaptive mod mixer gives best control for optimal modulation settings. Filter and amplifier envelope generators work in three selectable modes and have additional adjustable velocity control for Attack and Decay.

Besides LFOs, Sample & Hold and a versatile Gator as mod-sources Aftertouch and Modwheel are selectable at many destinations for real-time modulation interaction to produce an even more vivid sound. Finally the output sections has increased a lot. there is stereo Flanger and stereo Reverb the latter with PreDelay and LowCutoff to remove lower frequencies for an optimized reverb response.

   2 x PCM wave oscillators with 256 waves in 2 banks as primary sound-sources.
   1 x Ringmodulator per voice as 1st secondary soundsource.
   1 x Timbremodulator per voice as 2nd secondary soundsource.
   1 x Filter - 3 types (LoPass, HiPass, BandPass), ADSR EG with Vel control on Attack & Decay, and 3 Response Modes.
   1 x 4 channel adaptive mixer for cutoff modulation.
   1 x VCA EG (ADSR) Vel control on Attack & Decay, and 3 Response Modes.
   1 x Pan.
   3 x LFO.
   1 x S&H.
   1 x DLFO (Double LFO with two outputs and phase shifting).
   1 x special Pitch LFO with Speed Up/Down options.
   1 x ADSR EG as mod-source for RM / TM.
   1 x Gator not only on Level but optional for Filter and delay Pan too.
   1 x Delay with several options for panning delayed signal.
   1 x Stereo Flanger.
   1 x Stereo Reverb.
   1 x Bass Enhance.
   1 x XY-Joypad with 6 controls for 12 destinations and optional display for LFO & Aftertouch motion.
   3 x Lazy Buttons.
   12 voices, 512 patches.

This free version has some limitations: only LowPass filter, 3 voices, EG 3 mono, no internal patch management, no MIDI Learn, no velocity control on Attack / Decay of VCF / VCA EG, no SF2 Load, 128 internal patches, but two hidden easter egg gimmicks.
------------
X-Wheel of Fortune 4



X-Wheel of Fortune 4 is a multipart integrated algorithmic music system for creating tracks based on 8 instruments-parts.

Each patch/preset may be a complete musical track, a track for backing a live performance etc. All this can be arranged in two different ways using the algorithmic Wheel mode for free floating or the Scale step mode for harmonically prestructured tracks.

There are 180 PCM waves (taken from STS-26, ProtoPlasm21 and 'shuniji') for the Pad synthesizers, about 200 Percussion instruments and drums. In addition Sf2 files can be loaded at pad parts and wavefiles for percussion. Now with more than 250 inbuilt scales !
----------------
X-Wheel of Fortune 6



X-Wheel of Fortune 6 is a versatile multi-part music system with inbuilt cell step control sequencer for creating tracks of various types of music like Ambient or even soundtracks.

Just set up certain basics and let the machine create variations for you as there are several inbuilt algorithms just for this purpose giving this machine it's magic touch.

X-WoF 6 features a great variety of 262 inbuilt scales (Pentatonic, Hexatonic and Heptatonic) using harmonical scale steps for fairly easy composition or arrangement of tracks and even learn more about harmony in music. Additionally you might assign a dedicated - even experimental - User scale for each patch.

There are 10 inbuilt sound engines: two synthesizers for Pad parts, one for Bass, one for HiSq (high sequences), one for Athmo-loops (e.g. rain, waterflow, sonar, etc.) and OneShot sounds plus 5 percussion instruments. For overall interactive realtime control there are two XY SuperModulation pads plus one XY Master Control pad with the option to control the other two. Thus you have up to 28 different modulation destinations under the control of just one knob even with different polarities i.e. directions.

This is a complete new X-WoF with the major aim from the start to have everything built around the new cell step control sequencer which was intended to give best possible overview and versatility. It is called cell step control sequencer because in fact every step is a cell of variable play length in bars (from 1 to 8) plus options to set up different sub-tempo settings for Bass, HiSq, HiHat and Perc 3-5 part and assigning an Athmo or One Shot wave for every 2nd step with adjustable level and tuning.

You can determine harmonical scale steps to be used for each step independently to be played by the Pad parts and used as starting note for Bass and HiSq patterns. These scale steps are derived from the currently selected scale. For every 8 steps there is the option to set up a different base note to transpose the next 7 steps accordingly. Also you can determine step ranges to be played e.g. from step 5 to 12 or so.

Major differences between registered Pro (i.e. enhanced) and the free version:

   Presets/patches: Pro = 64 / Free = 4 fully useable and 28 with additional voice overs at varying intervals during playback and forced switching of edit panels - anyway switching back to any other panel is possible;
   Athmo/One shot Part: Pro 100 waves / Free = only 60 waves;
   MIDI Out: Pro for all internally generated note events / in Free = not present;
   MIDI In: Free only for MID CC while Pro offers MIDI In for playing notes and triggering of instruments thus might use the Pro version even as 4 part multi-timbral sound module with two 8-voice pad synths and two monophonic synths.
====================================================================================================================

All plugins are 32bit

DownLoad


  XWOF-6.zip (Size: 39.56 MB / Downloads: 57)

[bill]

need to add wof1 and wof3

[Bam]

need to add wof1 and wof3

then add it, please

[sanguinea project]

Danke, dass hier Günters wichtigste Synthesizer einmal versammelt worden sind.
Wer seine Synthesizer noch nicht kennt: hier ist monatelanger Spielspass für Soundfrickler angesagt.
Günter ist viel zu früh verstorben. Ich habe fast alle seiner Synthesizer lizensiert; ich fand, dass Günter sehr moderate Preise verlangte ("für Kaffee und Bratkartoffeln") und dass seine Arbeit unterstützt werden sollte.

Eine gute Erinnerung an Günter, hier seine Synths nochmal zu sehen.

[Bam]

Danke, dass hier Günters wichtigste Synthesizer einmal versammelt worden sind.
Wer seine Synthesizer noch nicht kennt: hier ist monatelanger Spielspass für Soundfrickler angesagt.
Günter ist viel zu früh verstorben. Ich habe fast alle seiner Synthesizer lizensiert; ich fand, dass Günter sehr moderate Preise verlangte ("für Kaffee und Bratkartoffeln") und dass seine Arbeit unterstützt werden sollte.

Eine gute Erinnerung an Günter, hier seine Synths nochmal zu sehen.

alle sind es nicht, ein paar fehlen, er war ja sehr fleissig

[sanguinea project]

hmmmm ... die Wichtigsten sind aber dabei. Welche fehlen noch; ich kann ja mal im Archiv wühlen gehen?

[Bam]

Tiger sowieso ich kenn nicht alle Namen

und alle Xoff 1, 2, 3 usw.

[A.M]

Thanks for posting these up on here, Bam..Günter made some really exceptional VSTs and set the standard for sound quality..a standard that still equals many high-end products out there today..and all for free most of the time!  Many of us started out making electronic music using his plugins and we owe him a dept that can never be repaid, as he certainly helped many of us to turn those ideas in our minds into real tunes and tracks.

R.I.P Günter..gone, but never forgotten.

[sanguinea project]

XwoF III:


  Xwof-III.zip (Size: 30.63 MB / Downloads: 46)

---

Ein ganz alter: ASET. Günter hat ihn zusammen mit Vera Kinter (aka Artvera) gebaut.


  ASET-2121gpwp.zip (Size: 3.7 MB / Downloads: 50)

[Bam]

Stimmt Aset, wie es der Zufall will, hatte ich heute bei Soundcloud ein Stück hochgeladen, wo dieses instrument eine wichtige Rolle spielt, da stammt der gesamte Background von dem

https://soundcloud.com/user-793853484/in...yestunesia

[A.M]

[tf-drone]

Fortune Cookie

  FortuneCookie2012.zip (Size: 2.59 MB / Downloads: 33)

   

Old Swamp

  Old-Swamp.zip (Size: 4.69 MB / Downloads: 36)

   

Scapes Wizard

  ScapesWizard-1-Pro.zip (Size: 76.52 MB / Downloads: 42)

   

[Bam]

the Tiger



Übrigens das ist hier die Pro-Version


  HGF-Tiger.rar (Size: 48.3 MB / Downloads: 39)

[artzic]

Great. I've been looking for it for a long time.

Tank you

---

Great. I've been looking for it for a long time.

Tank you

[tf-drone]

Guten Morgen,

hat noch jemand die SF2-Files, die früher bei Mediafire hichgeladen waren? Die Links auf https://web.archive.org/web/201205032141...ntent.html sind alle tot.

[sanguinea project]

schonmal hier nachgesehen:

https://www.kvraudio.com/forum/viewtopic...9&t=449202

pauleamca kümmert sich um das Material; sollte eine ergiebige Quelle sein.

[tf-drone]

Danke! Das sind ja schier unerschöpfliche Quellen

[sanguinea project]

jo, man muss sich da ganz schön durchwühlen - ich habe den Überblick schon länger verloren :-)
Es ist wohl auch Einiges an Samples dabei, dass nicht im Original verwendet wurde, sondern später aus Günters Synths gebaut wurde.
Sind aber GigaBytes an Spass ohne Ende :-)

[Bam]

So lamge die Pladde platz hat, immer rauf mit dem zeuch