13-08-2015, 07:32 PM
Music-Society SpecialPack Jeroen Breebaart
Only for active users or donors
================================================================
Barricade
![[Image: 1_13_08_15_6_50_52.jpeg]](http://forum.music-society.de/gallery/1_13_08_15_6_50_52.jpeg)
Barricade is a simple yet effective brick wall limiter.
The gain ride curve is very smooth and its time derivative is continuous, to ensure minimum distortion and aliasing artefacts. The gain knob adjusts the signal level before entering the limiter.
For analog-style tube warmth a tube-emulation circuit is provided as well.
-------------------------
Barricade Pro
![[Image: 1_13_08_15_6_53_46.jpeg]](http://forum.music-society.de/gallery/1_13_08_15_6_53_46.jpeg)
Barricade Pro is a multi-factor limiter.
Operating in 4 domains simultaneously:
Waveform limiting
Envelope limiting
Loudness limiting
Correlation limiting
--------------------------
Broadcast
![[Image: 1_13_08_15_6_57_06.jpeg]](http://forum.music-society.de/gallery/1_13_08_15_6_57_06.jpeg)
Broadcast is a multi-band dynamics processor.
It is combined with a sub-band stereo width processing.
Automatic gain control.
Gate.
Compressor.
Limiter.
PDF Manual.
------------------
Ferox
![[Image: 1_13_08_15_6_59_37.jpeg]](http://forum.music-society.de/gallery/1_13_08_15_6_59_37.jpeg)
Ferox is a tape saturation modeller.
It has separate controls for saturation and hysteresis effects. Feedback with variable tape speed is provided to simulate vintage tape echos.
------------
FSynth Pro
![[Image: 1_13_08_15_7_03_28.jpeg]](http://forum.music-society.de/gallery/1_13_08_15_7_03_28.jpeg)
FSynth Pro is an audio resynthesizer.
FSynth Pro is an audio effect (to be used as a VSTfx...) that allows to modify the envelope and filter characteristics of existing audio events as if they were generated using MIDI.
FSynth Pro detects new audio events in the incoming audio signals, and configures an internal synthesizer in real time to sound very similar to the detected event. The envelope and filter characteristics of this internal synthesizer can subsequently be modified to drastically change the character of audio events. FSynth Pro is very suitable to spicen up drum or percussion tracks, and to generate sound scapes from real-time input.
-------------------------
Isone Pro
![[Image: 1_13_08_15_7_06_49.jpeg]](http://forum.music-society.de/gallery/1_13_08_15_7_06_49.jpeg)
Isone Pro is a binaural simulator.
With Isone pro, a virtual reproduction system and listening room can now be experienced simply using a high-quality headphones. The virtual reproduction system supports a variety of known reference loudspeakers. Furthermore, the reverb time of the virtual listening room and the distance to the virtual loudspeakers can be fully customized.
Isone Pro comes as bundle of two plugins:
Isone Pro - for simulation of a stereo loudspeaker setup.
Isone Pro Surround - for simulation of a multi-channel setup.
---------------------
Omnisone
![[Image: 1_13_08_15_7_09_40.jpeg]](http://forum.music-society.de/gallery/1_13_08_15_7_09_40.jpeg)
Omnisone is a free spatial image processor.
It controls of the side signal level to enhance the ambiance, and to re-pan both input signals individually, even outside the loudspeaker base.
-----------------------
Omniverb
![[Image: 1_13_08_15_7_13_49.jpeg]](http://forum.music-society.de/gallery/1_13_08_15_7_13_49.jpeg)
Omniverb is a reverberation plugin with separate controls.
It can also be used as a gated reverb.
reverberation time
echo density
room size
early reflections
--------------
PC-2
![[Image: 1_13_08_15_7_16_07.jpeg]](http://forum.music-society.de/gallery/1_13_08_15_7_16_07.jpeg)
PC-2 is a psychoacoustic compressor.
PC-2 features a psycho-acoustic relevance mode. Instead of using a peak or rms-level estimation, this mode employes a perceptual loudness model to compute the loudness of the input signal. This perceptual loudness model is combined with advanced attack and release stages that model peripheral adaptation of the human auditory nerve. The result is a very transparent compression characteristic, even with very short attack and release times.
On the other hand, the simple, classic compression behavior can be engaged too by simply switching off the complex loudness model.
---------------------
Red Phatt Pro
![[Image: 1_13_08_15_7_18_24.jpeg]](http://forum.music-society.de/gallery/1_13_08_15_7_18_24.jpeg)
Red Phatt Pro is a dynamics processor.
Red Phatt Pro provides flexible and powerful dynamics processing. Whether you need smooth and transparent dynamic range reduction, gating, expansion, New York-style compression, or simply squeeze a drum track to phatten the sound, Red Phatt Pro will perform the job for you.
Its zero latency allows to use Red Phatt Pro in the studio and on stage. A dedicated, zero-latency integrated peak limiter can be enabled to protect against overs and to add warmth using dynamic waveshaping techniques.
--------------------------
SEND
![[Image: 1_13_08_15_7_22_40.jpeg]](http://forum.music-society.de/gallery/1_13_08_15_7_22_40.jpeg)
SEND (Spectrum Enhancing Non-linear Device).
It combines resonating low and high-pass filters with non-linear elements that generate even or odd harmonics.
----------------------
Smash Pro
![[Image: 1_13_08_15_7_26_05.jpeg]](http://forum.music-society.de/gallery/1_13_08_15_7_26_05.jpeg)
Smash Pro is a spectral processor.
Smash Pro provides extensive control to create a fat and warm sound. Compression, harmonic excitation and equalization processes can be carefully controlled as a function of frequency by simply drawing (discretized) frequency curves.
Smash Pro is based on an innovative signal decomposition that allows extremely accurate analysis and modification of audio signals. During processing, the input signals are up to 40 times oversampled to allow detailed simulation of non-linear processes. This results in a very distinct and unique sound character.
Due to its flexibility, Smash Pro can be used for a broad range of processing applications, such as dynamic equalization, de-essing, enriching harmonic content within certain frequency ranges, multi-band distortion, New-York style compression, and alike.
------------------
Timemachine
![[Image: 1_13_08_15_7_29_07.jpeg]](http://forum.music-society.de/gallery/1_13_08_15_7_29_07.jpeg)
Timemachine is vintage sampler simulator.
TimeMachine is a VST plugin that provides accurate reproduction of the characteristic sound of vintage samplers, such as the Commodore 64, or older Akai samplers. The (virtual) sampling rate can be varied, as well as the number of bits used for digital representation. furthermore, aliasing distortion can be generated individually for AD and DA conversion.
-----------------
=====================================================================================================
[attachurl=1]
Only for active users or donors
================================================================
Barricade
![[Image: 1_13_08_15_6_50_52.jpeg]](http://forum.music-society.de/gallery/1_13_08_15_6_50_52.jpeg)
Barricade is a simple yet effective brick wall limiter.
The gain ride curve is very smooth and its time derivative is continuous, to ensure minimum distortion and aliasing artefacts. The gain knob adjusts the signal level before entering the limiter.
For analog-style tube warmth a tube-emulation circuit is provided as well.
-------------------------
Barricade Pro
![[Image: 1_13_08_15_6_53_46.jpeg]](http://forum.music-society.de/gallery/1_13_08_15_6_53_46.jpeg)
Barricade Pro is a multi-factor limiter.
Operating in 4 domains simultaneously:
Waveform limiting
Envelope limiting
Loudness limiting
Correlation limiting
--------------------------
Broadcast
![[Image: 1_13_08_15_6_57_06.jpeg]](http://forum.music-society.de/gallery/1_13_08_15_6_57_06.jpeg)
Broadcast is a multi-band dynamics processor.
It is combined with a sub-band stereo width processing.
Automatic gain control.
Gate.
Compressor.
Limiter.
PDF Manual.
------------------
Ferox
![[Image: 1_13_08_15_6_59_37.jpeg]](http://forum.music-society.de/gallery/1_13_08_15_6_59_37.jpeg)
Ferox is a tape saturation modeller.
It has separate controls for saturation and hysteresis effects. Feedback with variable tape speed is provided to simulate vintage tape echos.
------------
FSynth Pro
![[Image: 1_13_08_15_7_03_28.jpeg]](http://forum.music-society.de/gallery/1_13_08_15_7_03_28.jpeg)
FSynth Pro is an audio resynthesizer.
FSynth Pro is an audio effect (to be used as a VSTfx...) that allows to modify the envelope and filter characteristics of existing audio events as if they were generated using MIDI.
FSynth Pro detects new audio events in the incoming audio signals, and configures an internal synthesizer in real time to sound very similar to the detected event. The envelope and filter characteristics of this internal synthesizer can subsequently be modified to drastically change the character of audio events. FSynth Pro is very suitable to spicen up drum or percussion tracks, and to generate sound scapes from real-time input.
-------------------------
Isone Pro
![[Image: 1_13_08_15_7_06_49.jpeg]](http://forum.music-society.de/gallery/1_13_08_15_7_06_49.jpeg)
Isone Pro is a binaural simulator.
With Isone pro, a virtual reproduction system and listening room can now be experienced simply using a high-quality headphones. The virtual reproduction system supports a variety of known reference loudspeakers. Furthermore, the reverb time of the virtual listening room and the distance to the virtual loudspeakers can be fully customized.
Isone Pro comes as bundle of two plugins:
Isone Pro - for simulation of a stereo loudspeaker setup.
Isone Pro Surround - for simulation of a multi-channel setup.
---------------------
Omnisone
![[Image: 1_13_08_15_7_09_40.jpeg]](http://forum.music-society.de/gallery/1_13_08_15_7_09_40.jpeg)
Omnisone is a free spatial image processor.
It controls of the side signal level to enhance the ambiance, and to re-pan both input signals individually, even outside the loudspeaker base.
-----------------------
Omniverb
![[Image: 1_13_08_15_7_13_49.jpeg]](http://forum.music-society.de/gallery/1_13_08_15_7_13_49.jpeg)
Omniverb is a reverberation plugin with separate controls.
It can also be used as a gated reverb.
reverberation time
echo density
room size
early reflections
--------------
PC-2
![[Image: 1_13_08_15_7_16_07.jpeg]](http://forum.music-society.de/gallery/1_13_08_15_7_16_07.jpeg)
PC-2 is a psychoacoustic compressor.
PC-2 features a psycho-acoustic relevance mode. Instead of using a peak or rms-level estimation, this mode employes a perceptual loudness model to compute the loudness of the input signal. This perceptual loudness model is combined with advanced attack and release stages that model peripheral adaptation of the human auditory nerve. The result is a very transparent compression characteristic, even with very short attack and release times.
On the other hand, the simple, classic compression behavior can be engaged too by simply switching off the complex loudness model.
---------------------
Red Phatt Pro
![[Image: 1_13_08_15_7_18_24.jpeg]](http://forum.music-society.de/gallery/1_13_08_15_7_18_24.jpeg)
Red Phatt Pro is a dynamics processor.
Red Phatt Pro provides flexible and powerful dynamics processing. Whether you need smooth and transparent dynamic range reduction, gating, expansion, New York-style compression, or simply squeeze a drum track to phatten the sound, Red Phatt Pro will perform the job for you.
Its zero latency allows to use Red Phatt Pro in the studio and on stage. A dedicated, zero-latency integrated peak limiter can be enabled to protect against overs and to add warmth using dynamic waveshaping techniques.
--------------------------
SEND
![[Image: 1_13_08_15_7_22_40.jpeg]](http://forum.music-society.de/gallery/1_13_08_15_7_22_40.jpeg)
SEND (Spectrum Enhancing Non-linear Device).
It combines resonating low and high-pass filters with non-linear elements that generate even or odd harmonics.
----------------------
Smash Pro
![[Image: 1_13_08_15_7_26_05.jpeg]](http://forum.music-society.de/gallery/1_13_08_15_7_26_05.jpeg)
Smash Pro is a spectral processor.
Smash Pro provides extensive control to create a fat and warm sound. Compression, harmonic excitation and equalization processes can be carefully controlled as a function of frequency by simply drawing (discretized) frequency curves.
Smash Pro is based on an innovative signal decomposition that allows extremely accurate analysis and modification of audio signals. During processing, the input signals are up to 40 times oversampled to allow detailed simulation of non-linear processes. This results in a very distinct and unique sound character.
Due to its flexibility, Smash Pro can be used for a broad range of processing applications, such as dynamic equalization, de-essing, enriching harmonic content within certain frequency ranges, multi-band distortion, New-York style compression, and alike.
------------------
Timemachine
![[Image: 1_13_08_15_7_29_07.jpeg]](http://forum.music-society.de/gallery/1_13_08_15_7_29_07.jpeg)
Timemachine is vintage sampler simulator.
TimeMachine is a VST plugin that provides accurate reproduction of the characteristic sound of vintage samplers, such as the Commodore 64, or older Akai samplers. The (virtual) sampling rate can be varied, as well as the number of bits used for digital representation. furthermore, aliasing distortion can be generated individually for AD and DA conversion.
-----------------
=====================================================================================================
[attachurl=1]
Don't forget to write or click a thank you, because it takes a lot of work to search the files.
---
bam
https://bam-dorner.de
Free 50 GB Cloud
Pass if needed: bam4LoFo
---
bam
https://bam-dorner.de
Free 50 GB Cloud
Pass if needed: bam4LoFo