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Syntheziser Korgs poly61 & 61m - Printable Version +- Music Society (https://music-society.de) +-- Forum: Hardware(Music) (https://music-society.de/forumdisplay.php?fid=7) +--- Forum: Yesterday's synthesizer (https://music-society.de/forumdisplay.php?fid=100) +--- Thread: Syntheziser Korgs poly61 & 61m (/showthread.php?tid=6024) |
Korgs poly61 & 61m - Bam - 12-12-2018 Korgs poly61 & 61m
![]() Poly 61 The KORG Poly-61 (PS-61) is an analogue programmable polyphonic synthesizer released by Korg in 1982, as a successor to the Polysix. It was notable for being Korg's first "knobless" synthesizer - featuring a push-button interface for programming, dispensing from the Polysix's knobs and switches. The Poly-61 also is using digitally controlled analog oscillators or DCO's (Roland's Juno-6 had made the same leap the previous year), in place of the Polysix' VCOs. The Poly-61 also boasted double the amount of patch memory (64 memory positions versus the Polysix's 32), but did not feature its predecessor's on board effects. Poly-61 Manufacturer Korg (Keio Electronic Laboratories) Dates 1982-1986 Technical specifications Polyphony 6 voices Timbrality Monotimbral Oscillator 2 DCOs per voice LFO 1 Synthesis type Analog Subtractive Filter 1 low-pass per voice Attenuator 1 VCA per voice 1 ADSR envelope per voice Storage memory 64 patches Input/output Keyboard 61 keys External control Poly-61M has MIDI In 1984 a MIDI version, the Poly-61M was released featuring basic MIDI implementation, however, prior to that, a person could order a factory installed Poly 61 with MIDI in and MIDI out jacket installed on a plate on the rear of the keyboard; simply called Poly-61 with Factory Installed MIDI. The MIDI of the day was quite crude, relatively, with only note on and note off information. No velocity (the amount of force the key is pressed); no Aftertouch, (the programable parameter of what happens after Note Off) and other standards of today was missing. The Poly-61 offers two DCOs per voice. DCO1 provides sawtooth, pulse, and PWM waveforms. DCO2 has only sawtooth and square. Filter Edit The filter has the typical controls for cutoff, resonance, keyboard tracking and envelope amount. Some of these are rather limited by the poor parameter resolution. Keyboard tracking is simply "on" or "off" for example, and resonance and envelope level (here labelled "EG Intensity") have only 8 values. Output Edit The final component in the audio path is a VCA. It can be driven by the envelope generator or a CV/Gate pulse. Embedded processors Edit NEC D8049C - 8 bits, 11 MHz (max.), 40 pins (DIP), Supply Voltage = 5V There are 2 of them on the CPU board (KLM-509), one is a Programmer and the other is an Assigner. The 8049 has 2 kB of masked ROM as well as 128 bytes of RAM and 27 I/O ports. The µC's oscillator block divides the incoming clock into 15 internal phases, thus with its 11 MHz max. crystal, one gets 0.73 MIPS (of one-clock instructions). Some 70% of instructions are single byte/cycle, but 30% need two cycles and/or two bytes, so raw performance is closer to 0.5 MIPS. The minimum instruction length is 8 bits and the maximum instruction length is 16 bits. The envelope is an ADSR type. All parameters can only be set to one of 16 values. There are 6 SSM-2056 analog envelope generator chips used in the Poly 61, each being controlled by discrete 4-bit D/A converters. This means there are only 16 possible settings for each of the ADSR parameters. LFO The LFO (known as a 'modulation generator' on the Poly-61) is a simple triangle wave that can be routed to the DCOs or VCF. It has a variable delay before it is triggered. Users: Com Truise FM Static Homeshake Jesse Saunders Kanjo Ray Parker Jr. "Ghostbusters" The Faint Twenty Four Hours Tuxedomoon These are way cool in my book... And great Synths at sometimes a lower price point than more popluar synth of early 80s!! Great features and sound ![]() ![]() |