Music Society

Normale Version: music-society specialpack Saltline
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music-society specialpack Saltline

Updated package

Zitat:Saltline Legacy VST plugins
As I am no longer continuing development or support for saltline VST instruments and effects I have decided to shut down and make the plugins available to download for free

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ADHDidi is an additive synthesizer comprising of 16 sine waves tuned to different frequencies (fundamental plus the first 15 harmonics).

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Bachelard features a delay module with a filter section and a reverb module with a second filter section.

Many parameters can be controlled with key tracking. The effect also features 3 LFOs and a modulation matrix. The 3 LFOs have 5 different waveforms to choose from and 3 different ways to control the oscillator speed. They also have a trigger function controlled by MIDI note commands. Parameters that feature key tracking can also be assigned to different MIDI channels for extra flexibility.
Delay featuring, free, sync to host and key tracking (KTr) controlled rate
Delay feedback also features a KTr switch
Reverb parameters, size, width, damp and mix
Reverb size and mix controls also have KTr switches
Both effects have identical filters, 2 self oscillating SVs
The cutoff on the filters can also be set to KTr
3 identical LFOs with free, sync to host and KTr rate control
Each LFO can be assigned in the modulation matrix to several destinations: delay rate, feedback, cutoff and resonance, reverb size, width, damp, mix, cutoff and resonance.

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Brzoza is a 2 operator, 6 modulator FM synth. Each operator has 3 modulators each.
2 operators (each consists of the following):
- 4 waveforms (Sine, Saw, Triangle and Square).
- Width (Square waveform).
- Fixed or keyboard pitch.
- Octave range (32, 16, 8, 4, 2).
- Semitone (-12 to +12).
- Fine tune (-1 to +1 semitone, reset to 0 switch).
- 3 stage pitch envelope (Attack, Decay, Release and Amount).
- FM Depth (dependant on the incoming signal from the operator's relative
- ADSR volume envelope (Attack, Decay, Sustain, Release and Amount).
- Operator pan (reset to 0 switch).
6 Modulators, 3 per operator (each consists of the following) :
- Modulator 1
Single Sine waveform.
Fixed or keyboard pitch.
Octave range (32, 16, 8, 4, 2).
Semitone (-12 to +12).
Fine tune (-1 to +1 semitone, reset to 0 switch).
3 stage pitch envelope (Attack, Decay, Release and Amount).
FM Depth (dependant on the incoming signal from modulator 2 and 3).
1 Modulation envelope (modulator 1 sends it's signal to operator 1 via it's modulation envelope, Attack, Decay, Sustain, Release, Amount and loop).
- Modulator 2 (as Modulator 1 with these differences)
FM Depth (dependant on the modulator 3).
2 Modulation envelopes (modulator 2 sends it's signal to operator 1 via it's first modulation envelope. Modulator 2 also sends it's signal to modulator 1 via it's second modulation envelope.).
Modulator 3 (as Modulator 1 with these differences)
3 Modulation envelopes (modulator 3 sends it's first signal to operator 1 via it's first modulation envelope. Modulator 3 sends it's second signal to modulator 1 via it's second modulation envelope. Modulator 3 then sends it's third signal to modulator 2 via it's third modulation envelope).
State variable Filter (Low pass, High pass, Band pass, Band reject). Cut off ADSR envelope (Attack, Decay, Sustain, release, Amount and loop).
Master Volume.
Midi Control (Pitch bend wheel, Pitch bend range, Modulation wheel, Re-trigger, Mono mode. Left click controls for MIDI learn, unlearn and edit.
External Modulation Matrix
- 6 Modulation slots (3 pages, with invert source signal and source to amount control).
- 5 Sources (Pitch wheel, Mod wheel, Velocity, Aftertouch, Key follow).
- 32 Destinations.

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Cadence is an LFO controlled filter and pan effect.
Self oscillating state variable filter
simple stereo pan slider
2 sync to host LFOs range 1-64 to 8-1
filter LFO can be routing to filter cutoff, resonnance and both
both LFOs have 5 waveforms to choose from sine, saw, pulse, triangle and ramp

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Cedr is a 2 oscillator subtractive synthesizer with a 16 step pitch sequencer.

The sequencer can also be fed to several other of the synthesizer’s controls. Cedr was created with chip tune in mind. This is reflected in the look and feel of the instrument and of course, most importantly the sound.

The pitch sequencer can be turned on or off for each oscillator allowing for greater flexibility in sound creation. Bit crush and delay effects also add to the degraded yesteryear quality of Cedr. Other controls include a step sequencer step envelope giving the user the ability to create a range of sounds from choppy arps to strange pads and textures. 5 modulation slots also allow midi control routing, such as, key follow, velocity and aftertouch.
2 oscillators each consisting of: 4 waveforms, pitch control, pulse width, oscillator mix, pan and sync.
Step sequencer control, pitch on/off, gate on/off, static pitch.
State variable filter: Low pass, band pass and high pass modes, cut off ADSR generator, sequencer to cut off amount.
Effects: Bit crusher and delay.

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Ichi is a virtual analogue synth.
Ichi has two identical sound creation generators
octave up and down and fine tuning oscillator
1 selectable waveforms, sine, saw, ramp, triangle, pulse, white noise and pink noise
state variable filter with user defined or note follow cutoff choices
3 ADSR envelopes
1 to control oscillator pitch, 1 filter cutoff and the third to control the VCR
multi-routable, sync to host LFO
LFO destinations include filter cutoff, filter resonnance, oscillator pitch, VCR and delay rate
simple delay with sync to host or user defined delay rate control
pan and gain control

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Jekyll is a circuit bent delay effect.
free rate or sync to host delay unit
self oscillating state variable filter
simple stereo pan
3 sync to host LFOs with 5 differant waveforms
LFO rate range from 1-84 to 8-1
1 LFO controls the delay rate (circuit bender), 1 the filter and 1 the panning
Korzenie kick

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Korzenie kick is dedicated to kick drum sounds.

Kick features 3 layers, body, mid and FM/noise. Each layer has it’s own pitch and volume envelopes with several curve options giving a great degree of flexibility and control over the sounds attack and decay
Liść delay

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Liść delay is a delay /echo unit with pre and post effect filters.

The dry signal can be passed through the pre effect filter before the output and/or before the effect section. The effect section consists of 3 delays with there own dedicated filters, left, centre (left+right) and right. This setup can create a range of sounds from subtle spacial effects to twisted glitching when automating delay rate and filter cutoff together.

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Liść-step is a 16 step sequenced state variable filter.

The cutoff frequency can be controlled in 2 ways, via the 16 step sequencer or low frequency oscillator. Liść-step allows the user to quickly create modulated filter patterns with ease.

State variable filter:
Low pass, High pass, Band pass, Band reject.
Frequency cut off.
Step sequencer (output to filter frequency).
16 step sequencer:
Sequencer rate.
Step amount.
Sequence direction (forwards, backwards, back and forth 1 and 2).
Glide amount.
Amount to cut off.
Low frequency oscillator (ouput to filter frequency):
5 waveforms (sine, saw, ramp, triangle, square).
Square waveform width (pulse).
LFO rate (free or sync to host).
Wave position.
Amount to cut off.

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Liść-verb is a multimode reverb and delay effect.

Liść-verb is a great effect for creating space. From simple ambience or suggesting a sounds physical boundaries to other wordly effects.This humble delay/reverb plugin can be used aggressively or with sensitivity. The incoming audio signal can be routed to the pre-out filter or directly to the output. the signal sent to the effect section can also be sent completely dry or through the first filter. This is then fed into the reverb and delay section which also includes another pre-out filter. Simple in construction and operation but full of character and depth. Automating filter cutoff, delay rate or reverb width and size are certainly the order of the day.

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sequencer synthesizer.
Oscillator features 7 selectable waveforms, octave up and down switching, fine tune and phase modulation controls
LP, HP, BP or BR self oscillating filter
Step sequencer features step start and end positions, a direction selector and step rate parameters
The filter cutoff can also be controlled by an identical independent step sequencer
Multi routable, sync to host, LFO
Delay and reverb modules pass through their own filters
Effect's filters can be controlled by a second LFO as can the delay rate and reverb size

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San is a hybrid synthesizer.
2 analogue oscillators (with 2 FM oscillators) and a phase distortion oscillator
each sound generator can be mixed between 2 of 3 variable state filters
3 multi-routable, multi-rate LFOs
2 ADSR envelopes and one 8 stage envelope.
flanger/chorus and distortion effect.
San's second panel has a quick guide to some of its features as well as a MIDI controller ID list.
Son of a pitch

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Son of a pitch is an audio pitch bend effect.

The pitch of the incoming signal can be controlled by the pitch knob or by a sync to host LFO. The pitch knob ranges from +3 octaves to -3 octaves of the original pitch. The effect also features an LFO controlled filter section. There are 3 filters to choose from, 2 SV filters and a butterworth filter. The filter section can be bypassed sending the dry signal straight to the pitch bender.

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Świerk is a relatively straight forward subtractive synthesizer with familiar sound generators, controls, routing, look and feel.
4 sound generators: 2 oscillators with 3 different selectable waveforms, a sub oscillator and a noise generator.
6 internal modulation sources can be routed via any of the 12 modulation slots to a choice of  20 destinations, providing as much control as possible to get the best results out of the 2 onboard low frequency oscillators.
2 simple ADSR envelopes and 8 stage envelope generator give users the ability to create a wide range of sounds.
The external matrix is where users can route midi controls such as pitch wheel, mod wheel and velocity to 37 different destinations in any of the 8 modulation slots.
The preset manager allows for easy browser and file management of the 128 presets that come with Świerk. 50 of which have been created by several excellent sound designers. Soon we will have more presets from them available to download for free from the saltline preset page.
Never published

Son Of A Pitch

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Plus three to minus three, delay based, pitch bend effect.
Son Of A Pitch was created with the FreePlayer guitar effects controller in mind. It features a delay based pitch shifter capable of pitching
up to three octaves above root and three octaves below root.

Right click controls for midi learn.
Hotel S.O.A.P

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Plus one to minus one, delay based, pitch bend effect.
Hotel S.O.A.P was created with the FreePlayer guitar effects controller in mind. It features a delay based pitch shifter capable of pitching
up to one octave above root and one octave below root. Hotel S.O.A.P is the first in the Son Of A Pitch series for FreePlayer. The next release
will be Son Of A Pitch V2. Version 2 will feature the same principle pitch shifter as HS.O.A.P but with a plus three to minus three range.

Right click controls for midi learn.

In den kommenden Jahren, wenn wir auf die Anfänge der VST-Entwicklung zurückblicken können, wie wir uns heute an die Anfänge des Analogs erinnern, wird sich Świerk als einer der wahren Klassiker profilieren.

Nicht für Saltline die sklavische Nachahmung alter Hardware: stattdessen ein origineller Ansatz für ein Design, das besser an die Computerumgebung angepasst ist - aber mit vollem Respekt und Verständnis für die Instrumente der Vergangenheit.

Wir verlieren zu viele unserer besten Entwickler - und ein gewisses undefinierbares "Etwas", das ich in der jungen Generation einfach nicht finde.

Übersetzt mit


In years to come, when we can look back on the beginnings of VST development the way we now remember the early days of analogue, Świerk will stand out as one of the true classics.

Not for Saltline the slavish emulation of old hardware: instead, an original approach to design better suited to the computer environment - but with a total respect for and understanding of the instruments of the past.

We're losing too many of our best developers - and a certain indefinable 'something' that I just don't find in the emerging generation.